Yes, she’s a little too much in the nose, but & # 39; The wonderful Mrs. Maisel & # 39; earn your title


The cutting phrase "a little too much in the nose" is shaken by many these days. It can encompbad everything from a song, a speech, a scene in a movie or even just a line in a novel, any creative effort where artistic perfection may sound false. Today, television is full of programs that are performed with such intensity and sharpness that they become too full, too sharp and, often, too sharp. Of all the problems there may be with a new television show, I will take too perfect on trite and boring any day.

New series of eight episodes of Amy Sherman-Palladino for Amazon, "The Marvelous Mrs. Maisel" is so direct that it comes with its own complementary adjective in the title. And they are not wrong – "Mrs. Maisel" is wonderful, and probably a delight of the public, no doubt for fans of the sensitivity and pace of previous work of Sherman-Palladino, which includes "Gilmore Girls "and" Bunheads. "

Visually, it is also a gift for you, nostalgia for nuts of half a century, minus the sadness and style of the "Crazy Man". Set in the late 1950s in Manhattan with extravagant and vivid attention to detail, the show is about 26-year-old Midge Maisel (Rachel Brosnahan from "Manhattan" and "House of Cards"), a Jewish, loves of the Upper West Side house and Bryn Mawr Alum, the daughter of Columbia University professor Abe Weissman ("Monk's" Tony Shalhoub) and his wife, Rose ("Two and a Half Men's") Marin Hinkle).

Midge married the boyfriend of his dreams, Joel Maisel (Michael Zegen), right after graduation and then what? Thanks to family connections, Joel got a job at the corner office at a plastics company, while Midge maintains a pristine home in a spacious apartment just three floors below his parents' place.

The pitfalls of that life are, in fact, the program's strongest message: as a wife and mother (the Maisels have a young son and a small daughter) she has covered herself up and even waits for her husband to fall asleep to eliminate it her makeup (which she then reapplies before her alarm goes off), Midge has prepared for the surprise that life is not always what it seems. With affection accompanies Joel to amateur nights in a dive on the ground floor of the Village, where he bribes the manager with a Pyrex dish of homemade skirt to give her husband a stage. Once there, Joel's stand-up routines are nothing special-and were stolen from LP by more famous comedians.

However, Midge loyally praises her husband's attempts, until the moment he informs her that he is having an affair with his secretary ditsy and wants a divorce Enraged, Midge goes to the nightclub with his coat, apparently to recover his Pyrex dish lost. In a drunken attack, she takes the microphone and offers her first deranged routine about the real-life pain of domestic dreams. After showing her bads to make a point, the police broke in and arrested her.

Midge is rescued by Susie Myerson ("Getting On" Alex Borstein), a hard-acting bartender who sees in Midge a potential to be the next big thing in comedy, maybe even the female version of Lenny Bruce. Yes, the Lenny Bruce (Luke Kirby), who befriends Midge after she frees him from jail and he returns the favor by releasing her from jail a few nights later, when she is again arrested in false accusations of indecent behavior on stage. A career in stand-up comedy, he warns, is something that, "like cancer and God," should not exist.

In the first four episodes available for review (there are eight in Season 1, and Amazon has already ordered a second season), "The wonderful Mrs. Maisel" never forgets that it is a comic drama about the gift of being funny. It is jubilant and optimistic, even when the chips are supposed to be dropped. The fact that Midge moves with his children to his parents' apartment is portrayed as a hilarious annoyance for everyone involved (Shalhoub and Hinkle are great as exasperated but tolerant parents), while Sherman-Palladino spends more energy wisely in the center , as Midge and Susie take their first steps in the development and promotion of an act based on the bitterness of a divorce.

There could not be a better time for a show to explore the kind of obstacles that await a young woman trying to enter. comedy more than half a century ago, and it seems that "The wonderful Mrs. Maisel", like this summer of 1970, "I'm dying here" on Showtime, could face them bluntly. Following the admission of Louis C.K. From badual misconduct towards the women who worked with him (or aspired to), the business of comedy still struggles with its inherent badism. But instead of choosing stridency and repression as the thematic impulse of his program, Sherman-Palladino opts for a sincere form of mockery and effort of the big city.

From Brosnahan's ability to captivate viewers and support Midge (even when leaning on his upper-clbad privilege streak) to the rest of the cast's endearing performances, "Mrs. Maisel" plays as one of those delicious and dazzling movies that took place in the past, like "My favorite year" or "A Christmas story" or "What it does!". Everyone committed the misdemeanor of being too busy. the nose, but it compensated with a genuine instinct of warmth. This is how "The wonderful Mrs. Maisel" is also successful.

The wonderful Mrs. Maisel (eight episodes) is broadcasting on Amazon. (Disclosure: Amazon founder Jeffrey P. Bezos also owns The Washington Post)

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