Wills is not just “Lord of the Flies” with girls – it’s much better than that

A familiar thought can be found after reading William Golding Lord of the flies For the first time in school. What will be different, Some earnest teacher asks, Had it been girls on the island instead of boys?

We all know that the answer is given: girls will get just the right thing, tie each other’s hair, and don’t kill anyone. A little piece of paradise where everyone sings with a boob out of the drift and tells Kamala Harris a lot, or whatever.

That, or they will all get Mean girls-Style Katty and the hard whispers behind the palm trees do a good job of calling each other island sluts. Because, ladies, right?

what Wills, Amazon estimates a new 10-episode Young Adult Drama Series, with neither conjecture being correct. If women and girls are prone to acting well, or maintaining order, it is simply because they have been taught to deep down their own trauma where it cannot be inflicted on anyone else. But when a plane crash is thrown into a deserted area as an uninhabited island, the shock begins to spread.

The basic premise is that a group of teenage girls find themselves stranded on an island which, at first, seems to be a plane crash. We quickly learn that this is a setup, a trick by a maligned researcher to prove a point. But the girls – at least among them – don’t know that. Together they have to survive with minimal supplies and lots of mutual conflicts.

cast Wilds It has been lauded for its diversity, but it has added to the stories of the girls with their identity that really drives that house. A new face of Six Nations Reserve in Ontario, Canada is Martha Blackburn, a Native American girl who denies past abuse beautifully played by Jenna Clause. Her friend, Tony, is a queer teenager in the foster system with angry issues, portrayed by Maori actor Erna James. It features Fatin (Sophia Ali), a spoiled, wealthy Muslim girl who betrays her father but bears the burden of blame for exposing him. The existentialist stopper (Shannon Berry) of the group was forced to grow up very fast by caring for his ailing father, about whom we learn in an episode that will make you cry. Shelby (Mia Healy) is a Christian girl from Texas who is not out and whose intrinsically anti-LGBTQ bias brought on by her conservative parents just doesn’t hurt herself. And Leah (Sarah Pigeon) obsessive personality and relationship with a very old writer fills her with grief. Reign plays Edwards, an athlete who develops an eating disorder as a result of pressure to perform while her twin, Nora (Helena Howard), is struggling with the suicide of her first love.

On the island, isolated from each other and with nature, these traumas come out of the veneer that each girl was using to contain it. They blink, they cry, they fall, but, ultimately, they survive. Because this is what teenage girls should do. And on Wills, They happily get to do it in the absence of boys and men, at least on the island itself.

None of the girls sound great for Backstory TV. Everyone speaks to the tragic worldly trauma of simply being a young woman in the world. Although the show has not made the biggest show in the general pop culture conversation, it is loved online by the young ladies who watch it. In memes And Tumblr posts, watchers are enabled pop out And prayer The characters he most recognizes and plays in the show It has its own social media Blitz, such as a playlist for each character. The show knows what it is doing, and it does it well.

There is a cheese factor, too, of course. Although it’s better than your average CW-type teen soap, there are moments where the drama takes precedence over existence in a way that borders on being intrusive. As the group runs out of food and dies of hunger, Tawney and Shelby discover a lychee tree filled with fresh fruit, but instead of being brought back to the group, they spend the night under the provisions of a lifetime Huh. Sure, it made my queer a heartache, but come on, kids, people are hungry! Or quickly when Leah hears a cellphone ringing over her dead comrade’s body, he uses it to call her creepy ex-boyfriend rather than literally anyone else. But, hey, that’s TV, isn’t it?

Furthermore, all this is set against the secret experiment of mastermind Gretchen Klein (Rachel Griffiths), who has put all of this on the island to prove that being in charge of women will create a superior society. I think there is some sort of commentary on white, Sheryl Sandberg-style feminism, which disregards the intersectional experiences and struggles of real women, but is probably too liberal.

Altogether, Wilds Talks the grief of emerging femininity that strikes a good balance between one Degrassi-Special after school and escort 100-Level TV fantasy. The girls are thrown into extraordinary circumstances, but they are so human that it all seems real. ●

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