Will & Grace Recap Season 9 Episode 6: Rosario’s Quinceañera


Will and Grace

Will and Grace

Rosario’s Quinceañera
Season 9

Episode 6

Editor’s Rating

three stars

Well, girls and Debra Messing stans, we knew at the present time was coming. As quickly because it was introduced that Shelley Morrison wouldn’t return to Will & Grace as Karen Walker’s maid Rosario, most knew that her iconic character needed to be killed off. Now it’s lastly occurred. Rosario died from surgical problems after collapsing at Karen’s home and was laid to relaxation the one method sitcom is aware of how: with a whole lot of jokes after which a touching second the place Karen lastly admits she was her finest good friend because the present fades away to the credit.

It’s unhappy that Morrison couldn’t make yet one more look on the present earlier than calling it quits to provide us all somewhat little bit of closure, even when it was to only kill Rosario off. Hell, Charles C. Stevenson reprised his position as Smitty, the bartender whose tragic tales all the time make Karen snort, and he appeared like he was going to break down right into a pile of ash if a powerful wind kicked up. I used to be significantly apprehensive for him. He appeared one unhealthy martini shake away from breaking a hip.

While we’re speaking about characters returning, I didn’t thoughts to see Smitty once more as a result of he had a bit half and even when folks hadn’t watched the unique collection, he would nonetheless be only a humorous previous bartender (although one which received a somewhat exaggerated spherical of applause from the “live studio audience”). What I didn’t completely love was the return of Minnie Driver’s Lorraine Finster. She was a personality from deep into the present’s run and one in all Karen’s many nemeses. Luckily for these of us with quick recollections, she launched herself to Karen on the funeral by saying, “You married my father and I slept with your husband, so that makes us family in my book.” Not solely is it an awesome line, however a few of us wanted that refresher course.

Driver is nice right here and Lorraine will get some actually good gags — particularly when she desires to badist Karen by “stealing her car, getting an eight ball, going to Atlantic City, and whatever happens, happens” — however she actually has no objective. When Leslie Jordan reprised his position of Beverly Leslie final week, he and Karen had a complete hilarious storyline about making an attempt to persuade Beverly’s spouse that he’s actually straight. Lorraine simply appears tacked on, like there was a small window in Driver’s schedule (she is at the moment starring in Speechless on one other community, in spite of everything) so she had to be on this episode they usually wanted to seek out her just a few issues to do.

(A fast apart: Karen talked about just a few episodes in the past that she’s nonetheless married to Stan, however Lorraine was with Stan when he died. So what, precisely, from the previous seasons are we presupposed to imagine and what are was simply presupposed to dismiss? It’s a foolish sitcom, a technique or one other, however I believe we want some delineation of what’s “canon” and what was simply silliness that we’re pushing apart with a view to preserve the collection going.)

One of the issues with the unique Will & Grace was that it began to rely an excessive amount of on visitor stars to provide it oomph. So far, with this revival, they’re doing one thing comparable, however every week it looks like they’re dragging out a deep lower or a personality from the previous for yet one more go-round. If this factor goes to stay, it wants to take action by itself deserves, which implies counting on the core 4.

Because, man, are they nice. Will and Grace’s silly squabble about him getting a lease for the workplace subsequent to Grace’s is dumb, however they each get their second to excel. Grace goes over to Karen, who’s grieving within the bar subsequent to Rosario’s funeral, and begins sobbing about her personal mom’s funeral. Will additionally will get to go over and have a young second with Karen.

But it’s Jack who steals scenes the whole episode, from him scarfing down Rosario’s Jell-O to making an attempt to persuade the clergymen and nuns at Rosario’s funeral that they had been residing as man and spouse. My private favourite was when he needed to deliver the “books full of magic spells” (a.ok.a. Bibles) into the church and threw them into every pew earlier than becoming a member of Will and Grace on the altar.

And then there’s scene that can go down in W&G historical past and encourage a thousand GIFs: Jack going subsequent door to the bar to cheer Karen up, however she winds up forcing him to sing and dance. He belts out a really awkward model of Pharrell’s “Happy” whereas going from the Electric Slide to the Ease on Down the Road to the choreography from the “Thriller” video like he’s simply strolling down the road. It is a rattling fantastic comedic efficiency.

Megan Mullally is making an attempt to get (one other) Emmy along with her efficiency on this episode, whether or not it’s pretending that she doesn’t know what occurred after Rosario died or getting offended with Jack and everybody else to be sure that Rosario’s funeral slash quinceañera goes off and not using a hitch. She is nice, in fact, giving some killer traces like, “I’ve been on my own since I was nine months old. I badfed myself,” with a typical raise of 1 bad. Or my private favourite: “Aren’t we all just whores looking for a dirty pole to take one last ride on?” Karen is firing on all cylinders this episode and she or he caps all of it off with a pleasant candy second, the place she lastly mourns Rosario in her personal particular method. I believe we’ll all miss Rosario very a lot, however at the very least we’ve got Jack and Karen (and Will and Grace too, I badume) to sit up for when the present returns after its winter hiatus.

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