What the hell is wrong with Hopper in Stranger Things season 2?

In horror motion pictures, it’s typically needed for establishments to fail. To make the viewers scared, the characters need to be scared, which suggests they will’t simply casually whistle up the authorities to deal with the roving maniac, the large monster, or no matter else is on the free. In each seasons of Netflix’s Stranger Things, it’s vital that the federal government is a vaguely inimical, vaguely incompetent group that allows merciless experiments with dangerous outcomes, then lets the invasion of our world by the Upside Down get out of hand. But in season 1, at the least, the native authority represented by Sheriff Jim Hopper slowly comes round to believing and serving to the characters most threatened by the supernatural. He begins season 1 as a bitter, skeptical man with a little bit of a consuming downside and a hefty load of private baggage. But the collection creators, the Duffer brothers, give him a redemption arc as he finally takes courageous, harmful steps to avoid wasting the day.

So what the hell is unsuitable with him in season 2? Why are his selections so profoundly and clearly terrible?


Significant spoilers for season 2 of Stranger Things forward.

Jim Hopper (performed by David Harbour) arguably doesn’t make a single main good selection in season 2. He pushes Joyce (Winona Ryder) to not fear concerning the situation of her son Will (Noah Schnapp), to simply accept his worsening situation as PTSD, relatively than the signal of one thing extra harmful. He initially blows off Merrill, the native farmer whose spontaneously rotting pumpkins are an early signal of the Upside Down’s gradual unfold. When Hopper does understand one thing is unsuitable, he bullies and blackmails authorities scientist Dr. Owens (Aliens’ Paul Reiser) into addressing it, in a blunt, contemptuous approach that appears extra prone to get Hopper quietly disappeared by the federal government than to get him the outcomes he wants. And when he realizes the reality concerning the Upside Down’s incursion, he investigates it alone, with out backup, in the course of the night time, with no plan by any means, and he practically dies consequently. This is the form of horror-movie considering that’s designed to maintain viewers yelling “No, don’t do that!” on the display.

In isolation, none of those selections is a personality downside. But piled up, they converse to a clumsiness in Hopper that’s solely designed to serve story wants, relatively than to say one thing worthwhile or compelling about his character. The story requires him to be wrong-footed or sluggish on the draw time and again, and it’s an ongoing, low-key downside for a personality who’s being constructed up as a hero. Flawed heroes are sometimes extra compelling and relatable than excellent ones, actually, however the second season doesn’t give him something however flaws and questionable selections.


Still, all this stuff are small potatoes (or small rotting pumpkins) subsequent to Hopper’s two immense lapses of judgment in season 2. The first simply appears inexplicable: when the Hawkins lab’s containment system and energy grid break down, and the researchers and troopers there are all killed by demo-dogs, Hopper is trapped with Will and his buddy Mike (Finn Wolfhard), Dr. Owens, Joyce, and her boyfriend Bob (Sean Astin). Someone must courageous the roving pack of proto-Demogorgons to restart the facility to allow them to escape, and Bob factors out that Hopper doesn’t have the pc savvy to do it proper. Sending Bob, who does have the programming know-how to reboot the system, is a brilliant transfer… till Hopper lets him go alone. And why on Earth would he try this, as a substitute of escorting Bob and watching his again? Why hand a gun to a person who’s by no means held a gun, inform him “good luck,” and retreat to a locked room to attend and see whether or not Bob is swarmed by demo-dogs on the way in which there? Why anticipate a non-combatant tech specialist to deal with each the tech and the fight?

That choice positive factors the locked-in crew completely nothing. (Hopper suggests he’ll get them out shortly as soon as Bob will get the door open, as if he’s staying behind solely to escort them out whereas Bob continues to be downstairs — however he doesn’t.) And Hopper staying behind leads on to Bob getting killed. It additionally isn’t even needed from a story standpoint. The story required Bob to die, however in an surroundings filled with CGI hell-beasts, he may have gone down beneath a wave of attackers even with Hopper combating to guard him. That would have raised the depth of the combat, as a substitute of trying like Hopper was hiding in security whereas sending another person off to die alone.


Even Bob’s closing sequence doesn’t replicate properly on Hopper, who abandons Bob to a single demo-dog fairly shortly when he sees extra monsters on the way in which. Hopper is clearly prioritizing getting Joyce to security, however provided that the badault occurs in sluggish movement, it’s additionally frustratingly simple to see that he provides up on Bob earlier than Bob is useless, and even mortally wounded. That’s a comparatively small element — a tiny change within the modifying of the sequence would make it play out very in a different way — however Hopper yelling “He’s gone, he’s gone!” at Joyce to get her to go away Bob behind, whereas Bob continues to be writhing on the ground, reaching desperately towards their retreating backs, comes throughout as leaping the gun. In the sorts of 1980s motion motion pictures Stranger Things always references, working off and leaving a companion to die would usually be the mark of a coward, and it will have critical penalties down the road.

But it doesn’t right here, for a very problematic purpose: the Duffers are slowly nudging Hopper and Joyce collectively, with increasingly more scenes of them quietly bonding, together with within the second season’s closing moments. It’s been clear for some time that Hopper has a rising crush on her, which is nice and unhappy when she’s a disintegrating mom preoccupied along with her vanished son, and melancholy when she’s profoundly pleased with another person. But in the event that they ultimately get collectively, there’s going to be a shadow over that relationship, in the way in which he actually didn’t attempt laborious sufficient to avoid wasting his outdated rival. The Duffers initially deliberate to kill Bob off a lot earlier within the season, and so they ended up growing him as a personality as a result of they loved Astin’s chemistry with Ryder. But making him extra of a big character means Hopper loses much more sympathy for not combating more durable to avoid wasting him, and that alternative goes to shadow any eventual relationship between Hopper and Joyce.


But even sending Bob off alone and subsequently leaving him to bleed out on the ground pales compared to Hopper’s different huge, mystifying choice this season: sealing Eleven up in a glorified shed for practically a 12 months, denying her any entry to the skin world besides a TV, which he then makes use of as a medium for punishment. It’s actually true that Hopper’s choices with Eleven are restricted, since he must preserve her protected and off the radar. Casually enrolling her in clbad is off the menu. But other than his word-of-the-day efforts (which nonetheless haven’t taught her issues like verb tenses and primary syntax), there isn’t a lot signal that he’s tried to home-school her, discuss to her sufficient to enhance her animal defensiveness and social awkwardness, or primarily to show her into a child as a substitute of an offended failed experiment.

It’s comprehensible that the Duffers didn’t need Eleven’s character to alter an excessive amount of from the unique season, the place she was a breakout favourite. Her otherworldliness, her seething anger, her uncooked want — all of them make for a placing, memorable character. But her from a human-empathy perspective relatively than a branding perspective, it’s terrifying that she’s made so little instructional or emotional progress over the course of a 12 months. And that’s fully at Hopper’s ft, as a father determine and protector. He clearly cares about her, however he simply as clearly has no concept how one can carry out even probably the most primary duties of fatherhood. Keeping her protected isn’t sufficient if he’s letting her reside on Eggos, TV dinners, and cleaning soap operas throughout her essential growth years. For God’s sake, Hopper, at the least get the child some books.


At least a few of Hopper’s worst selections in season 2 are each narratively needed and emotionally justified. His late-season blowup at Eleven over her telekinetic tantrum is clearly a badly expressed response to his personal helplessness and concern. It’s actually comprehensible that he’s scared for her, and plausible that he’d attempt more durable to manage her as he senses himself dropping management over all the pieces else. Their combat additionally has vital payoffs, each as a result of it sends her out into the world, and since it results in a needed clearing of the air between them, the place he admits to his worries for her, and acknowledges some truths about himself. (Though “Sometimes I feel like I’m just some kind of black hole or something” is an admission to your therapist, not your underage foster child.)

And it’s doable to really feel sympathy for Hopper with out saluting his selections. After dropping his organic daughter to sickness early in her life, it is smart that he’d don’t have any expertise with or capability for dealing with a raging pre-teen, not to mention one with immense psychic powers. The rift between Hopper and Eleven is a needed a part of her coming-of-age journey, and their reconciliation is touching. It additionally ups the stakes for the ultimate battle, the place they put their comprehensible frustration with one another apart, and stand collectively towards the Upside Down and its shadow-monster. But none of this justifies protecting a toddler sealed away, alone in a shed, for a 12 months. (In a unique film, that may make him the villain.) And whereas a handful of errors in judgment makes Hopper extra human, an endless string of them makes him appear incompetent, in a approach the Duffers don’t appear to mean.

Ultimately, Stranger Things is concerning the hefty tasks its child forged takes up, and the way they combat for his or her city and their lives when the adults largely fail them. It’s simply that this season, that dynamic principally got here at Hopper’s expense. In the plot’s worst moments, that’s complicated and annoying, and there’s no purpose for it. Like all of the Stranger Things crew, Hopper is coping with issues most individuals merely received’t imagine. It’d be simple sufficient to have him visibly attempt his greatest to avoid wasting Bob, to plan for backup earlier than leaping into an Upside Down-infested tunnel, or to present Eleven some form of training whereas he waits for the coast to be clear. And none of this stuff would get in the way in which of the story progressing precisely because it does. Having Hopper try to fail is poignant. Having him fail to attempt simply makes him a idiot. And in a city stuffed with neglectful mother and father, jock bullies, and overreaching authorities villains, Stranger Things has loads of these already.

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