Taylor Swift doesn’t give a rattling about her dangerous popularity. Or does she?
On her sixth studio album, Reputation, the Grammy winner, 27, performs with notion. Since rising to fame in 2006, Swift’s knack for super-personal storytelling has been a blessing and a curse. She’s one of many best-selling feminine artists of all-time. But she’s additionally fallen prey to the pitfalls of fame and, in recent times, has turn out to be as well-known for the headlines she makes because the music she releases.
And it’s her expertise with fame — and the way it’s influenced her popularity — that fuels her newest LP. Reputation is an experimental departure for Swift. But she hasn’t misplaced her genius for an oh-my-god-we’re-the-same-person lyric or earworm hook.
By now, Swift is aware of that everybody on the web goes to scrutinize each single lyric, and it appears this album was written with that in thoughts. The star flits between über-personal love songs and over-the-top takedowns all through the set, and at occasions one may surprise if she’s sharing from the guts, having an identification disaster, enjoying a personality to stir the pot — or some mixture of the lot. And that’s the purpose. Reputation is a eager commentary on fashionable movie star. And extra importantly, every of the songs makes you are feeling one thing — and that’s what pop music is all about.
1. “…Ready For It?”
Album opener “…Ready For It?” units the tone for Reputation: darkish, dramatic, horny — and sometimes saccharine. Over a foreboding bbad synth, Rave Goth Taylor raps a few budding relationship, all however likening the chase to a sport of cops and robbers. Until the 47-second mark, at which level she drops the tough-girl shtick and unleashes the refrain, so candy and hovering you’d badume it was a 1989 Target bonus monitor you sadly and unwittingly handed over.
“Ready” can be the primary time the singer alludes to her new beau Joe Alwyn (“Younger than my exes, but he act like such a man though”) and their blossoming relationship, with lyrics that may make Curly-Haired-Blue-Eyeliner-And-Ballgown-Wearing Taylor blush. (See: “In the middle of the night, in my dreams / You should see the things we do, baby”).
2. “End Game” [Feat. Ed Sheeran and Future]
On “End Game,” Swift continues to play with hip-hop, (surprisingly) convincingly holding her personal alongside pal Ed Sheeran and Future, who present rapped verses.
Throughout the monitor, she contemplates her public persona (“I got some big enemies”); that of a possible suitor (“me and you we got big reputations … you and me we would be a big conversation”); and decides she needs to be his “end game.”
So who’s it about?
Before his relationship with Swift made headlines, Alwyn was an up-and-coming actor with two IMDb credit to his identify.
If not Alwyn, that leaves a few of Swift’s different ex-lovers to contemplate. The “I don’t wanna be just another ex love” line might level to Calvin Harris, who has famously been linked to Ellie Goulding, Rita Ora and Tinashe. Then there’s the “I don’t wanna miss you like all the other girls do” bit. Tom Hiddleston has legions of followers.
three. “I Did Something Bad”
Hell hath no fury like a Taylor Swift scorned.
On seething standout “I Did Something Bad,” Tay comes out weapons a-blazing — actually, the frenzied, horror-movie manufacturing contains fake gunshots — unapologetically firing off bitter barbs in regards to the ex that “had it comin’.” Unless you lived beneath a rock or had been with out WiFi for the summer time of 2016, it’s fairly apparent Calvin Harris impressed the monitor. But then once more, among the tune’s lyrics additionally appear to be perception into her short-lived fling with Tom Hiddleston.
So let’s break it down.
What Happened: In March of 2016, Swift and Harris shared photographs from an attractive tropical paradise. Just a couple of months later, they all of a sudden cut up. Then Swift was noticed displaying off main PDA close to her Rhode Island dwelling with Tom Hiddleston.
“I Did Something Bad” Lyric: “I never trust a playboy, but they love me / So I fly them all around the world, and I let them think they saved me.”
What Happened: In June of 2016, PEOPLE confirmed Swift and Harris had cut up. All appeared amicable, however only a month later the whole lot exploded. Swift’s rep solely confirmed to PEOPLE that Swift wrote Harris and Rihanna’s hit “This Is What You Came For” beneath a pseudonym. Harris then accused Swift of “trying to tear your ex bf down for something to do” as a result of she wanted “someone new to bury like Katy” (referencing Swift’s storied feud with Katy Perry). Shortly after, she was seen jetting world wide with new boyfriend Tom Hiddleston, maybe the world’s most high-profile rebound relationship.
“I Did Something Bad” Lyric: “He says don’t throw away a good thing / But if he drops my name then I owe him nothin’ / And if he spends my change then he had it comin’.”
What Happened: After the fallout with Harris, many on social media crucified Swift, accusing her of being manipulative. If the tune is about Hiddleston, nonetheless, it could possibly be a reference to how public their relationship was.
“I Did Something Bad” Lyric: “They’re burning all the witches even if you aren’t one / They got their pitchforks and proof, their receipts and reasons … So light me up.”
In conclusion: When detractors referred to as Taylor a relationship-obsessed man-eater, she delivered the delightfully ironic “Blank Space.” Call her a calculating witch, we get “I Did Something Bad,” through which she campily performs the half, notably properly within the booming refrain: “They say I did something bad / Why’s it feel so good?”
As we’ve discovered again and again: Tay all the time will get the final phrase.
four. “Don’t Blame Me”
Swift continues to spin the general public’s opinion of her — that she’s boy-crazy, that she performs the sufferer — into sonic gold on the bluesy “Don’t Blame Me.” And this time round, she’s unapologetic.
“I been breakin’ hearts a long time and / Toying with them older guys / Just play-things for me to use,” she sings, sounding bored — till she meets a brand new man (Alwyn?). “For you … I would lose my mind … Love made me crazy / If it doesn’t you ain’t doin’ it right.”
“Delicate” seems to supply listeners with one other have a look at Swift and Alwyn’s relationship and why it really works. The monitor finds Swift to start with of a relationship, crucified within the courtroom of public opinion however with a nonjudgmental man. She’s seemingly referencing her beef with Calvin Harris and her feud with Kim Kardashian and Kanye West over the rapper’s “Famous” lyrics.
“My reputation’s never been worse,” Swift sings, “so he must like me for me.”
6. “Look What You Made Me Do”
Swift’s polarizing lead single is a response to all of the criticism that’s been thrown her approach through the years, from the mendacity snake who can’t be trusted to the fixed sufferer. It’s jarring. It’s not as clearly ironic as her different self-satire “Blank Space.” But with the meta lyrics combined with the ridiculous Right Said Fred pattern, it simply works.
7. “So It Goes…”
Sparks fly between Swift and her lover on this steamy slow-jam, which might simply have come from the identical writing session as her and Zayn Malik’s Fifty Shades Darker collab “I Don’t Wanna Live Forever.” “Back against the wall … Lipstick all in your face … I’m yours to keep,” she sings. “You know I’m not a bad girl, but I do bad things with you.”
“You’re so gorgeous / I can’t say anything to your face / ‘Cause look at your face,” Swift sings over twinkly, music boxy synths. “And I’m so furious / At your for making me feel this way / But what can I say / You’re gorgeous.”
It’s nice, and it grows on you with every pay attention, a lot as a result of the lyrics — whereas not precisely poetry — completely seize that smitten feeling everybody’s skilled.
9. “Getaway Car”
Hold on tight for this drama-filled pleasure trip. “Getaway Car” seems to trace at a (gasp!) love triangle.
“I wanted to leave him / I needed a reason,” Swift sings. “With three of us, honey, it’s a side show / And a circus ain’t a love story.”
After information of Swift and Harris’ cut up broke, she and Hiddleston had been linked just some quick weeks later. Not lengthy after, Harris and his pal John Newman launched an infidelity-fueled monitor, “Olé,” which some reported was impressed by Swift.
Is “Getaway Car” badociated to these rumors? Or is Swift simply an avid Car and Driver subscriber?
10. “King of My Heart”
“King of My Heart” finds Swift unfortunate in love, swearing off males — till Mr. Right seems out of nowhere. Despite the tune’s title (and her previous penchant for fairytales) the titular royalty seems to be in reference to her British boyfriend.
Swift spends a lot of the dance monitor professing her like to “the one I have been waiting for.” But she nonetheless finds time to throw some shade at “all the boys with their expensive cars.” (In case you had been questioning, sure, Calvin Harris does have a Range Rover.) In a phrase: Yas, Queen.
11. “Dancing with Our Hands Tied”
On “Dancing with Our Hands Tied,” Swift particulars a tough patch in a relationship. Some followers have hinted it’s about Alwyn, which might make sense given their low-key romance.
“I loved you in secret … People started talkin’, putting us through our paces,” sings Swift, who has gone to nice lengths to maintain her and Alwyn’s relationship non-public. “I loved you in spite of / Deep fears that the world would divide us … I’m a mess, but I’m the mess that you wanted.”
“Dress” is an ode to a secret lover who loves her in spite of everything “my mistakes, my rebounds, my earthquakes” — and her bleached hair.
Cute, proper? Not so quick!
For each candy sentiment (“Even in my worst times, you could see the best in me”), there’s a deliciously lascivious one. E.g. “Only bought this dress so you could take it off, take it o-o-o-o-off / Carve your name into my bedpost.”
RELATED VIDEO: Taylor Swift Slams Kim Kardashian and Kanye West over Claims She Approved ‘Famous’ Lyrics
13. “This Is Why We Can’t Have Nice Things”
So this one’s about Kanye West. While her first Yeezy-inspired monitor (2010’s “Innocent”) was a heartfelt, understated ballad, her 2017 providing is additional AF — however most likely simply as heartfelt.
“There I was giving you a second chance / If only you weren’t so shady / But you stabbed me in the back while shaking my hand / And therein lies the issue / Friends don’t try to trick you / Get you on phone and mind-twist you,” she coyly quips over sirens and bumping bbad on the theatrical bop.
“Forgiveness is a nice thing to do,” she provides in her finest holier-than-thou voice earlier than bursting right into a cackle. “I can’t even say it with a straight face.”
And because of this she’s “Famous.”
13. “Call It What You Want”
As followers astutely alerted the Twitterverse, “Call It What You Want” is a follow-up to Swift’s 2008 single “Love Story.” But this time round, she’s performed away with the Romeo and Juliet allusions. That’s to not say she hasn’t been by way of some feuds of her personal.
“My castle crumbled overnight / I brought a knife to a gunfight / They took the crown, but it’s all right,” she sings, as an alternative taking solace within the man who caught by her facet who simply so occurs to be “fly like a jet stream.”
14. “New Year’s Day”
On “New Year’s Day,” Swift celebrates the one that’s there for you when the occasion ends for the mundane issues, whether or not it’s cleansing up empty bottles or sharing a cab dwelling. It’s a sentimental, spare ballad, with Swift backed solely by the piano. “Hold on to the memories,” she insists. “They will hold on to you.”