The unyielding Kimmy Schmidt imagines life without the bunker



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In "Sliding Van Doors" Kimmy Schmidt unbreakable uses a Sliding doors Presuming to present an alternative timeline of the program, where Kimmy never got into the truck, Titus missed his "Lion King" audition, Lillian never found tenants, Mikey never left and Jacqueline did not get her job as a stewardess. There is, of course, a lot of fun with this configuration, and Kimmy Schmidt unbreakable it pushes him to strange places, like turning Lillian into a gang cocoon. But the alternative timeline also feels deeply rooted in these characters and who they are, working to develop them in the real-time timeline with details in the alternative.

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There are obvious changes in Kimmy's alternative life. She goes to university, becomes a valedictorian and president of her sisterhood of women. She has a boyfriend, played by Anders Holm. She does it to the projection of Sliding doors that she missed the day she was kidnapped on the real time line, and that encourages her to dream of a life in London. But what is even more convincing than all of that are the subtle changes in Kimmy's behaviors and the way in which, although her personality has changed drastically, she remains, in a sense, the same Kimmy, who has simply retracted.

Yes, she is a bit malicious now. She is bad and controlling with her friends, and she yells at Donna Maria, who is her maid in this timeline. She uses her own personal philosophy that you are in charge of your own destiny to be a kind of egocentric imbecile. But there are shadows of the real Kimmy who look at all of that, their determination, their capacity for recovery, their intense personality. She still shines brightly, alone in this timeline, she uses that light to eclipse others instead of making them better people. She still needs to help others, although in a negative way. It is disturbing to see Kimmy encourage Jacqueline to cheat Trump (for several reasons).

It would be too simplistic to deduce from all this that Kimmy's trauma gave her a moral compbad, and that does not seem to be what the program says. But we are shaped by our experiences, and it makes sense that this Kimmy is both very different and at the same time Kimmy himself. Neither this version of reality nor the real time line necessarily appear as the Dark Timeline. Bad shit happens in both. It's just a different bad shit.

The tragedy still hits Kimmy on the alternate timeline, but she responds surprisingly in a very different way. After being run over by a car and ending up in a coma for a year, Kimmy uses it to build a new brand. While she struggles so hard not to be defined by the bunker in reality, here she writes books, she takes the nickname "girl eat". It is a different tragedy, one of which is much easier to talk about than to be held in a bunker. Years for a madman, so it produces a different response. His attitude towards mole women, called the female worms in this timeline, is also fascinating. She keeps wondering why they not only defended themselves or tried to escape. It is the same kind of mentality that Kimmy faces in others on the real time line, and because she did not experience it here herself, she does not understand that it is not so simple. It is another reminder of how people tend not to fully understand what an experience like this is like if they have not lived it.

It is also disturbing to hear Kimmy say "bad". We have come to know this character very well, and his use of flower arrangements for explosions is such an important part of his characterization. Writers have a lot of fun playing with our expectations with these characters and what we already know about them. There are also more subtle changes, such as when Kimmy's boyfriend sneaks in behind her to surprise her, and reacts as if she found him adorable. In the real-time timeline, Kimmy would probably have disabled him. But here, she does not have the same kind of psychological trauma caused by surprises and strange men as a montage at the beginning of the episode.

Tito's alternative life gives Kimmy Schmidt unbreakable the opportunity to parody the Church of Scientology, with a surprising effect. After missing his audition, he follows the signs to the Church of Cosmetology, a celebrity cult that is eventually led by Gretchen, who is so cult-loving on this alternate timeline, suggesting in an interesting way that she was always part of it. of his personality and it was not a result of his time in the bunker. The Scientology jokes are funny and exaggerated and are perfectly in line with the voice of this program.

But there is a surprising depth in the story of Titus, too. He still has a reputation for hunger as before, and without a compbad Kimmy to guide him to the light, he ends up exchanging for the focus. He undergoes gay conversion therapy at the hands of the church and becomes Johnny Straightman, who lives in the closet and also takes off his career (a somewhat obscure comment about who will become the leader of Hollywood).

It turns out that this alternative timeline means living a lot in the closet. Mikey ends up with Jacqueline when the thirst of the latter for a rich husband the counterforce and she mistakenly believes that Mikey is her 1% ticket. She gets pregnant and since he is a Catholic ("I love doing things I hate!"), Mikey stays with her and eventually they have several children named after luxury things (Lexus, Pandora, Rolex, etc.). ) that Jacqueline never gets a taste of in this timeline. Once again, it is still, in many ways, the same Jacqueline we know: petty and intense and desperate to climb stairs. But here, she has humbled herself a little. She is responsible for protecting her family, not only for herself. She does not want to ruin things by cheating and she only does it after Kimmy encourages her. Once again, it is a refracted representation of its habitual dynamics. Only in place of pressing Jacqueline to be a better person, Kimmy activates Jacqueline's more narcissistic tendencies, again in the name of her increasingly toxic philosophy about controlling her own destiny.

Lillian's story ends, appropriately, being the craziest of all. She gradually rises to the top of F105, even becoming the reason why Meth Head Charlie gets hooked on methamphetamine in the first place. On that note, the extent to which this episode is related to callbacks and jokes in the universe is impressive. But even that secondary plot has a surprisingly warm message in its center, rooted in character. Lillian addresses the gang because she never meets Titus and Kimmy, never finds the sense of family that ends up softening, although of course it does not stop completely, her most extravagant impulses. The characters still overlap throughout the episode, touching the lives of others in a different way to the real time line. They can not be what they need to be for each other here.

The episode ends with a quite serious and moving note that involves everything. Titus asks Kimmy if she ever imagines what her life would be like if she had not climbed into the truck, and she responds quickly with a firm no. Kimmy knows that imagining other possibilities would drive her crazy and, ultimately, be useless. It is a strong message to send about traumatic experiences, and Kimmy Schmidt It ends up turning this alternate episode of the timeline into something more than a simple thought experiment.


Missed observations

  • The Trump caricature does not work at all, but I understand the impulse to want to do something completely different from Alec Baldwin's. Saturday night live Print.
  • Mikey's attempt to dress has a belt as a tie.
  • The Reverend becomes the Apprentice in this timeline.
  • Using a bag of demon eggs to show the pbadage of time is … a specific Titus device.
  • I'm still shaking from hearing Kimmy swear !!!
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