“The Queen’s Gambit” is the sexiest and most thrilling TV show you’ve ever seen.

“You really are something, you know that?”

In Netflix’s limited series “The Queen’s Gambit”, “chess king Beth Harmon – bothered by” Emma “star Anya Taylor-Joy – received this accolade from her good-looking rival Towns (Jacob Fortune-Lloyd) during her first tournament Millie. Although she is somewhat distracted by his charming behavior, it does not stop her from chasing her pieces around the board.

It is one of several suspenseful matches of the entire series, where the dynamic can move from playful to desperate or lackluster to Cuttack in just a few moves. In this scene, Beth reluctantly handles the pieces – Towns’ reluctance to be the author of Doom – which brings a sweet, playful tone to the game.

“Whatever the energy of the person you’re playing with, it’s a little dance,” Taylor-Joy tells Salon. “I love that sequence with Townes a lot because it’s the first time that Beth is really struggling about winning. Like, ‘I want to win more than anything, but you’re so cute. It makes me sad.’ Has been, and I. Confused by it. “”

Chances are “The Queen’s Gambit” is the sexiest, most addictive TV show you’ll ever see. Granted, it’s probably In college The TV show about chess you’ll ever see (sorry, “Endgame”), occupies a place in entertainment where only movies dare to venture occasionally.

Written and directed by Scott Frank, and based on Walter Tavis’s 1983 novel of the same name, “The Queen’s Gambit” begins with nine-year-old Beth at a Kentucky orphanage, where she was raised after the tragic death of her mother. it happens. There, a taciturn watchman (Bill Camp) introduces him to chess, for which he has an amazing ability. After her adoption, Beth’s unique Bildungsroman begins in earnest as she earns prize money at chess tournaments across the country and then the world and seeks respect from most male peers.

Tivis, who also wrote “The Hustler”, goes beyond the usual underdog game narrative for “Queen’s Gobbit”. He draws a line between genius and mental health, which gives Beth a host of personal issues that begin in childhood. Not only is she the only one in the world who plays into her precarious relationship with men later in life, but she is introduced to a tranquilizer in an orphanage. They soon become an addiction that continues into adulthood when he adds alcohol to the mix. This is your sex, drugs and classic story. . . Okay, chess.

In the trailer, we see that Beth is literally getting drunk, and during the series she visits various benders that hinder her success in sports and life. Despite Beth turning to some rather self-destructive copulation mechanisms, the series never delves too deep into the darkness.

“[Creator Scott Frank] “The tragedy actually happens in a great way, making you laugh,” says executive producer William Horberg. I love my sense of humor in this, even though it is very dark. Even when some heavy stuff is going on with these kids [in the orphanage] Consisting of a tranquilizer, the way he intercaps with clips from the film ‘The Rob’, where the characters are entering the kingdom of God with a view of God [young Beth] Filling bullets in his mouth – this is pure Scott. ”

Substance abuse and testing the waters with various men – including characters played by Thomas Brody-Sangster (“Game of Thrones”) and “Harry Potter” alum Harry Maling – simply, a true love of Beth: Chess Just distracted. And the series sets the matches and shoots the scenes cleverly so that even the audience is mesmerized as Beth without her deep understanding of chess rules or nuances.

Part of the series’ success in translating chess to the audience comes from Tivis. He was a dedicated C-class player who produced the novel’s realistic games with the help of American chess master Bruce Pandalini, who also consulted on the series and the film “Searching for Bobby Fisher”. Many of the dialogue and gameplay are lifted directly from the page to the screen.

Pandolini also spoke of how to reassure the actors. It is not just about moving the pieces, but how one uses hands, posture, mental-body language. Beth plays against grandma, former children such as herself and world champions. Each of these actors had to see if they were playing their entire lives.

“And then even further, Bruce introduced Scott and I to Gary Kasparov, who is probably the greatest chessman ever. Gary lived the life of our hero because he was a child chess prodigy who grew up in the Cold War Was about the same age as Beth Harmon’s character in the book, “Horberg said.

“They had another dimension of really interesting stuff to share with us outside the book, just how was your relationship with your family and your peers and adults in the Soviet Union when you were seven or eight? And the KGB? How did it work when you were going to play the tournament? ”

Certainly the series’ linchpin is Taylor-Joy, often acclaimed for the non-verbal aspects of her performances, from her creepy debut in “The Witch” to Jane Austen’s surprisingly candid adaptation of “Emma” for. Much is made of his large, expressive eyes, but before that they were not as essential for storytelling as he plays chess, drawing the audience into the gameplay with every stare or flicker. For Beth, these matches are life or death, and those bets were to be channeled.

“It was important to me that I understand serious chess because I know people who really love the game,” said Taylor-Joy, who was a beginner in filming. “Knowing the theory was important. However, knowing the theory and then executing it are two very different things.”

The memorable move to a filmed match is the first step of the challenge. As a genius, Beth is often asked to play simultaneous matches against many people, after transferring from one board to another. Even more difficult is a scene where he plays together against three different opponents, but this time, it’s speed chess.

“There are actually some of my favorite scenes in the entirety of the show, because they were so funny,” Taylor-Joy said. “With the amount of games I had to play, it was practically possible without me, because I was really making myself crazy, because I’m in essentially every scene of this whole thing, I was five minutes ago. Will learn the visuals. And I’ll just. My short-term memory has to be thanked for that, like, dancing to my fingers.

“It just became a competitive thing in itself. ‘Well, how soon can I learn how many steps to play on three different boards? And then how fast can I do that?” One of my favorite pictures I’ve taken is on set, Scott just took a picture of me, the second of which is the first performance of motion chess, and it’s like pure bliss. But I was very happy and proud of myself.

“The Queen’s Gambit” is currently streaming on Netflix.

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