The new Netflix series has its occasional bright spots, but ultimately falls short – tech2.org

The new Netflix series has its occasional bright spots, but ultimately falls short



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The new Netflix series Dark that is increasingly being compared to Stranger Things could not have had a better name. All his characters are within minutes of cutting their wrists. No jokes are broken, smart jokes are not made, a soundtrack does not come to rescue the mood.

Dark is a serious and serious matter, and once the curtain has risen over the mystery in this heavy narrative plot, all that remains is a bunch of characters without a sense of humor and without complications.

Created by Baran bo Odar and Jantje Friese, Dark is the first Netflix series in German. Their similarities to Stranger Things are only profound: a child disappears in a small town. Everyone knows everyone Local police have no idea. A group of young people come together to discover the mystery. A sinister industrial plant is in the center of the city. There are flashing lights that indicate a fault in the matrix. And it seems that there is a secret universe that influences the procedures in this small city.

But Dark that revolves around the journey in time, could be so similar to other shows and movies.

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Dark.

The series echoes David Lynch's Twin Peaks in his sinister little city, edge of the -world where no one is who he seems to be. Temporal paradoxes and the debate of free will versus determinism, treated in clbadics of time travel as Robert Zemeckis Back to the future series (1985-1990) and Terry Gilliam 12 Monkeys (1995)), plays an important role here. Even the trope of being in the past or in the future has been treated with more ingenuity in films like Rian Johnson & # 39; s Looper (2012) and Spierig brothers Predestination (2014) .

Although the time-worn premise is never too bizarre or too ambitious to leave a strong impression, the production values ​​are top-notch. Despite its derivative nature, Dark gets a lot of things with a controlled budget. Although the series is about concepts that would invite the CGI trick, Dark is remarkably low on special effects, and instead, has a lot of fear and atmosphere. The series is very well presented, but unfortunately, no character has the opportunity to stand out because the writers have put all their eggs in the basket labeled as "plot".

Since much of speculative fiction is about reaffirming old concepts, the key to the success of a new series or film is the creation of enduring characters. An example of this is the first season of True Detective who tipped his hat to the elements of the flavored genre while remaining cool. Stranger Things in itself is a great example: two seasons later, what remains with its fans are its characters and their relationships (Mike and Eleven, Dustin, Hopper, Bob Newby), not the myths of Upside Down.

If not, then the story should take the genre in a new direction, and what new ground can be covered in the time travel after Shaun Carruth's comprehensive mental master First (2004 )?

And as with the stories of time travel, at one time, the story of Dark hits the familiar obstacle presented by preeminence. When every action aimed at a resolution of the problem brings the story back to the beginning, what options do the writers have to drag the story away from the causal loops?

The devised conclusion sequence can be seen as an escape or set-up for a second season. The creators of the series must build a great mythology. Dark momentarily cures the itch for Stranger Things fans, but offers nothing new in the broader context of science fiction or criminal television.

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