The Golden Globes’ shameful attempts to point out diversity were a joke

At this point, the Hollywood Foreign Press Association has no more excuses. If you’ve been aware of current events related to the organization that hosts the annual Golden Globe Awards, then you know that statement could apply to any number of mistakes. The main theme of the 78th annual awards show on Sunday, of course, is the absence of black representation in the ranks of the organization.

The HFPA has not had a black journalist in its membership for 20 years.

Thus, as the 2021 awards broadcast began almost discarding Daniel Kaluuya’s acceptance speech for Best Supporting Actor, the win in the Movie for his portrayal of Fred Hampton in “Judas and the Black Messiah” was particularly unfortunate. .

For this round of detached complacency, you’d think the organization would want to make sure the event itself was as technically flawless as possible. Several award shows have been held before these Globes that the producers could have taken clues from. The 2020 Emmy nominees were streamed live from 100 simultaneous active streams streaming from locations around the globe.

And yet this happened: Laura Dern, who presented the Best Supporting Actor award, seemed stunned that technical difficulties persisted and tried to move things forward, skipping the actor’s speech. But when the connection was reestablished with Kaluuya’s pointed cry: “You’re making me dirty! Is it on? Is it on?” He delivered his full speech, expressing the hope that people who saw the film would be moved to learn more about how Hampton lived rather than simply how he died.

If there was one awards ceremony that symbolized the world collectively succumbing to pandemic blues, it was the 78th Golden Globe. Returning presenters Amy Poehler and Tina Fey did what they could, with Poehler broadcasting live from the Beverly Hilton in Los Angeles. , where the awards are usually held, and Fey broadcasting from the Rainbow Room in New York. Each played in reduced-capacity rooms made up of front-line workers in the audience and roughly being together on stage via an awkward split-screen. But all night it was a cake with the half dropped and the edges burned.

Beyond the Best Supporting Actor failure, the evening continued with only a few failures here and there, and at least one – Tracy Morgan reading the Best Animated Film “Soul” winner’s title as “Sal” – possibly intentional.

The winners themselves were more or less as expected. It was a good night for “The Crown” and specifically for its stars Emma Corrin, Josh O’Connor and Gillian Anderson. “The Queen’s Gambit” had multiple wins, as did “Borat Subsequent Moviefilm” and “Nomadland.”

Rosamund Pike was stunned with her win at the Globe for Best Performance by an Actress in a Movie, Musical or Comedy for “I Care a Lot”. Of course, “Schitt’s Creek” won Best Television Comedy, as did star Catherine O’Hara. He swept the Emmys. Why wouldn’t the Balloons throw something on the pile?

The nominated celebrities did approach from their homes, although there were some live presenters, such as Tiffany Haddish, Angela Bassett, Sterling K. Brown and Susan Kelechi Watson, which was to be expected.

However, noting how casually some watched the night compared to others provided a sure sign of how long we’ve been in this pandemic business. Angela Bassett wore a majestic plum-colored feather-trimmed gown because that’s part of the contract the universe signed with her – there’s never a time when she doesn’t look flawless.

Anya Taylor-Joy was dressed to the nines in an emerald gown and was set to snag her Globe for “The Queen’s Gambit,” which also won Best Limited Series, Anthology Series, or Motion Picture Made for Television. When “Minari” won a Globe for Best Picture, Lee Isaac Chung’s seven-year-old foreign-language daughter stole the show by hugging her father and showing off her faux fur cape.

Meanwhile, Jason Sudeikis, who seemed completely shocked by his Best Actor in a Television Comedy win for “Ted Lasso,” appeared in a faded hoodie. Even Boyega, impeccably dressed, admitted that he was formal on top and sweatpants on the bottom half.

This was also the most sober Golden Globe we’ve seen in a long time, and I must admit I miss my celebrity skippers. Everyone was home, or beaming from a rented place made to look like home, but no one looked terribly bad or drenched or eager to poke fun at injustice, save for Mark Ruffalo’s usual serious ramblings.

Without any of the usual distractions, then, we were left to contemplate the irony of so many black presenters for an awards ceremony that turned down a long list of black creative work and performances.

Fey embraced the license all Globes hosts have to hit the stars a bit to cite the ridiculousness of nominations for “Emily in Paris” and Sia’s disastrous “Music.” Cecil B. DeMille award winner Jane Fonda praised Michaela Coel’s “I May Destroy You” in her acceptance speech, which is as close to the Globes stage as that well-deserved series got.

Spike Lee’s sons Satchel and Jackson Lewis Lee were selected to be ambassadors for the Golden Globes, a ceremonial role that in no way makes up for the fact that their excellent Vietnam veteran drama “Da 5 Bloods” was excluded from the award competition.

His star Delroy Lindo was expected to receive a nomination, only to be rejected, placing him in an excellent television performer company with artists such as “Euphoria” star and Emmy Zendaya winner Uzo Aduba from “Mrs. America.” And Jurnee Smollett and Aunjanue Ellis. from “Lovecraft Country”.

Among the nominated options were also beatings in the head, one of the most important is that “Minari”, the winning foreign language film, is an entirely American production.

Soul Black co-director Kemp Powers gave his part of the team’s acceptance speech via recording as, according to The Hollywood Reporter, he was apparently only notified that he was one of their nominees on Sunday.

And if seeing Lee’s children come out as part of the HFPA’s “We Can Do Better” parade wasn’t enough of a party, the three HFPA members who took the stage to speak stiffly about diversity, with the former president from the HFPA, Meher Tatna, were placed front and center, it was particularly embarrassing.

Sacha Baron Cohen, a two-time winner Sunday for his sequel to “Borat,” refused to let them slip away in his acceptance speech: “Thank you to the all-white Hollywood foreign press!” he said.

All of their own fell into a heap of self-made misfortunes together, and yet their lack of inclusion shouldn’t detract from the solid and worthwhile victories this awards round garnered. Kaluuya deserves that Globe, like John Boyega for Best Supporting Actor, win on television for his performance in “Small Ax.”

Chadwick Boseman gave his career performance in “Ma Rainey’s Black Background” and did not survive to reap the rewards that were due to him. His win on Sunday should make him insurance for an Oscar nomination; it also makes him the first black winner since Forest Whitaker received his Globe award for “The Last King of Scotland” in 2006.

To see Boseman’s wife, Taylor Simone Ledward, accept the award on his behalf, crying as she graciously said every line of what she thinks she would have said, is to know that this honor is especially bittersweet.

“He would thank God. He would thank his parents. He would thank his ancestors for their guidance and sacrifice,” he said. “He would say something beautiful, something inspiring, something that would amplify that little voice within all of us that tells you that you can, that tells you to keep going, that brings you back to what you must do at this moment. Moment in history.”

His speech was powerful and heartbreaking, and to think that he will probably have to do it again at the Academy Awards is just as wonderful and painful.

At the other end of the emotional spectrum, there is nothing but joy in the play in which a group of young children could not tell where the royal family of England lived, but recognize Boseman as The Black Panther.

Another Globes story also happened on Sunday: Andra Day’s victory for Best Actress in a Motion Picture Drama for her work in “America vs. Billie Holiday” makes her the first black woman to win in that category in 35 years.

“Nomadland” director Chloe Zhao also made history as the second woman to win the Best Director award at the Golden Globes (Barbra Streisand won for “Yentl” in 1983) and the first Asian woman to receive the honor. . His film also won Best Motion Picture Drama.

Whatever sins of laziness the HFPA has committed over all these years takes nothing away from these legitimate victories, although the field of television could have been more varied and a better reflection of the adventurous art we saw last year.

On the other hand, hopefully the organization will be inspired by the example of Norman Lear, this year’s winner of its Carol Burnett award. His introduction included a montage of his best work, including “All in the Family”, “Good Times”, “The Jeffersons” and “Maude”, and both versions of “One Day at a Time”, each of them shocking and extraordinary. . comedies that touched our hearts and made us want to do better and be better.

If the path marked out by their life’s work is not enough for them to follow, there is also this direct call from Fonda to pay attention: “There are stories that we have been afraid to see and hear in this industry … about who is it? it offers a seat at the table, “he said, adding:” Art has not always been in tune with history, it has led the way, so let’s be leaders. ” At the very least, maybe open those exclusive doors a bit wider.

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