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The director of perfection explains the twisted ending of his Netflix thriller


Keep in mind that there is spoilers for perfection below.

Chances are that by now you've heard of Netflix's wild thriller The perfection. If you have not get out of here and come back after you've seen it! The latest Netflix original comes from The matador and regular Girls director Richard Shepardstarring Allison Williams Y Logan browning like two cello prodigies wrapped in a twisted relationship that evolves through rivalry, romance, revenge and much more throughout the genre dubbing movie.

It's a twisted and twisted thriller that surprises continuously and certainly is not afraid to shock, so naturally, I was excited to have the opportunity to speak with the director and co-author Richard Sherman about his inspirations, the most amazing moments of the film and that madness. final shot

Final spoiler warning!

perfection allison williams

Image via Netflix

The perfection stars Allison Williams as Charlotte, a cellist and student of an elite music academy who abandoned his dreams for ten years to take care of his sick mother. The film begins with a picture of Charlotte's mother, lying dead in her sick bed, and us a rebirth when Charlotte departs on her "mission". He reconnects with his old music teacher Anton (Steven Weber) and meet Lizzie, the amazing and tremendously talented cello prodigy that succeeded her in the academy.

In a short time, Charlotte and Lizzie go from rivalry to flirting, end up in bed and then bond together enough to make a last-minute ill-advised trip. We know Charlotte is up to something, presumably an act of jealous revenge, but Williams never reveals her character, and you can not help but wonder what her game is, even as she feeds Lizzie with the mysterious pills. There is a proliferation of insect-like horror, and a nightmarish scenario about being stuck in a bus in the middle of nowhere during a medical crisis, and as soon as the girls are stranded on the side of the road without help in sight, Shepard rewinds (literally) the film to give us our first turn: there is no contagion, no viral infection or insects.


Image via Netflix

Charlotte drugged Lizzie with her mother's old pills and used the power of the suggestion to unleash a hallucinogenic freakout, convincing Lizzie that her body was riddled with bugs and the only way to stop it was to cut off her hand. A horrific act of revenge against the girl who replaced her, right?

Inspired by the horror of the revenge of South Korea, and the works of Park Chan-wook in particular (The perfection It often feels like a sister movie of Park's unpredictable erotic thriller. The maid), Shepard devised a film that would never be what the public expected. "I love the way that [Park] he plays with the structure and makes turns in his films that are outrageous, "Shepard said," and yet, everything makes sense in the final film, and I love how elegant it does all that. "

Another key influence for Shepard and his co-writers Eric C. Charmelo and Nicole Snyder were the Netflix documents. The Guardians, who investigated a possible concealment of the church around abuses of power and the murder of a nun. "That was an important starting point for us about the idea of ​​this systematic abuse," Shepard explained. and that became a kind of "Oh, well, that will be very interesting, in terms of an underlying plot."

That underlying plot reinforces the next revelations of the film, which are structured around the fact that Anton is a rapist of children and his prestigious music university is based on a perverse divine conviction. Based on a frightening "tradition" of which Anton himself was subject, the Bachoff Academy of Music has taught systemic sexual abuse for decades. It is a false house of piety, which indoctrinates students to a false faith, in which instructors annoy young musicians when they do not achieve "Perfection", that is, to act without any mistake, inside an acoustic room special known as "The Chapel". "

 the-perfection- allison-williams

Image via Netflix

The perfection It's a revenge movie, but Charlotte's revenge was never against Lizzie, but Anton, her fellow instructors and the institution that taught them and allowed them. On the contrary, Charlotte's mission was to save Lizzie by any means necessary, and she knew that her indoctrinated lover would never leave of her own free will. But Charlotte's campaign to save Lizzie did not begin with her adventure; It has a much deeper stem. Twice in the film we see the moment when Charlotte and Lizzie cross on the stairs when they are children; Charlotte's last day at the Bachoff Academy before leaving to take care of her mother, and Lizzie's first.

"I felt that this was ultimately a friendship story," Shepard said. "Allison's character sees a memory of her as a little girl leaving the academy while young Logan's character climbs the stairs, and we see that image twice in the movie, for me that's what the movie was, Allison could have said something, "Do not go in there," but she did not, for many reasons, she was a child, she was a victim of abuse, there were many reasons why she did not do that.

Anyway, for Shepard, the movie depends on the way guilt ate her during her decade away from Anton and the academy, and The perfection It is the story of his revenge, yes, but most importantly, of his quest to save Lizzie from what allowed him to enter. "I felt I had to deal with that guilt for ten years, "said Shepard. "She had to live with the pain of what she did not do, so this was a movie about someone trying to correct that, she may be completely wrong, maybe, in the way she did, but the fact is that it's about history, so there's a level of redemption and, above all, empowerment, because of their ability to do that. "


Image via Netflix

Which brings us to the final image of the film. The last and most powerful turn of them all; Charlotte did not return to the Bachoff Academy alone on her mission of revenge; she partnered with Lizzie to finally shoot down Anton. In fact, it was Lizzie's idea to go there. After a chilling performance in The Chapel, which leads to the evil house of Anton, Lizzie leaves her free and both bring down their guardians, including a brutal and bloody fight with Anton who attacks Charlotte's left arm. Fortunately, Lizzie still has a bright right arm and the final shot of the film finds the two women, intertwined on stage, playing the cello together, discovering a new way of making art come from the bond of their shared survivor. With a disfigured (we are talking about all the cut limbs and eyes / mouth sewn) Anton forced to listen to the audience, nothing less.

Shepard says they found that final image in the writers room, but they did not know if it could work until the rehearsals. He did not want to use body folds or CGI, so he asked both actresses to learn to play the cello, which they got after months of rehearsals. That's when they saw the closing shot in play, the two women wrapped themselves together playing together and knew that the closing image would work. "He was sexy, disturbing, empowering, crazy and yet also perfect," Shepard said. "It was really [perfect] for what they went through, they would be united like that for the rest of their lives. "

As it's the endings, it's also quite romantic, well, at least if you're as weird as this movie is. "You've been and always will be the person who makes my heart skip a beat when you play, "Lizzie tells Charlotte, her idol, the first time they play together. The perfection It leaves us with the image of them playing together in their victory forever.

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