Summary of & # 39; The Walking Dead & # 39 ;: Eugene-ics 101 – tech2.org

Summary of & # 39; The Walking Dead & # 39 ;: Eugene-ics 101



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A bit of Eugene Porter goes a long way, so it's surprising when his episodes onstage become highlights of the series (see "Hostiles and Calamities" of the seventh season) . Somehow, this week's episode – "Time for After" – is the sequel to Eugene's showcase last year. As his new allies face a desperate situation, with only a couple of days of supplies remaining and no clear exit, he once again asks the only question that matters to any well-educated opportunist: Who will keep it "upright"? [19659002] But this chapter also deals with a man who struggles with both his soul and his instinct for survival. This character will always lean towards the cartoonish. However, underneath all his bluster, Eugene is a pretty complex guy and something easy to relate. He would prefer to be holy, but he has no problem justifying his more irregular behavior. Are not we all like that sometimes?

In this episode, those stubborn reasons manifest themselves as a large portion of moral relativism. During most of the execution time, Eugene moves from one conversation to another, with the inhabitants of the Sanctuary, none of them as "saviors" per se, who unsuccessfully teach him how to use his intellect and influence. When he tells Dwight that he will not give it away if he leaves the double agent act for "the AHK" (ie, Alexandria, Hilltop and Kingdom), the disheveled saboteur growls behind it ] Negan's safe side means he's in danger Rick & # 39; s. Later, the drunken concubine Tanya the kidnapped doctor Harlan and the sickly one Gabriel urge Eugene to do the right thing: help tip the balance of this war to the good ones He remains impbadive, arguing that "the right thing" is different for everyone. No one is better or worse than anyone … simply stronger or weaker.

That's why the only person he will really listen to is Negan, who is strong as hell and who, by the way, treats our man as a valuable resource of a Weaselly Creep. ("How does it feel to be the second most important person here?", Asks Negan, with sincerity.) So, Eugene is busy inventing an exit strategy for all who are stuck in the Sanctuary.

And this is what makes Josh McDermitt TWD a fascinating guy to look at: in spite of all his strange quirks, he simply can not escape his conscience … or his cowardice. When he retrieves Sasha's iPod from his coffin to make a "pied flautin" drone (a mobile sound system that will lure zombies out of the complex), he suffers pangs of remorse as he remembers how he helped the death of his former comrade. . After Dwight takes down the plane, Eugene is ready to tell Negan what he knows. Then the renegade enters the room and stops, because he is afraid of betraying him in the face. And as fiercely as he touches the line of the "I'm Negan" party in public, he's swallowing Tanya's smuggled wine to the second he's back in his room, desperate to be insensitive.

However, despite all that, "Time for After" is not as satisfying an episode as "Hostiles and Calamities", for a couple of reasons. On the one hand, Eugene's shtick is really hard to understand. As a minor figure who appears from time to time to say things like, "You look like a potato and shit pot," it's very colorful and entertaining. But when those types of lines dominate? They lost their novelty in record time.

More damned, one of the two subplots this week is, to put it mildly, absolutely idiotic. Remember how Sheriff Grimes was captured last week? And how the only way that movement would have made any sense is if he had had some kind of safeguard in place? Well, forget it. Rick eventually brings out the best of Jadis and forges the alliance he is seeking. But that's only because his captors try to execute him with an armored walker instead of, you know, his weapons . At no time, no scavenger shoots our hero, even as he is snatching control of his ghoul and turning it against them. What the hell?

The only saving grace of this stupid turn of events is that when our presumed hero guides the Scavengers to the Sanctuary-to complete the final phase of his last plan-he discovers that the installation is unoccupied. I'm sorry, no more hordes of zombies serving as your siege engine, sir. That is a consequence of what happens in the subframe other where Daryl Morgan and Tara shrug off the objections of Michonne and Rosita and violate the walls of their enemies. The idea is to create carnage and chaos, and also, apparently, an opportunity to escape.

Daryl's plan is possibly as short-sighted and depends on the foolish luck as Rick's. But at least his argument rounds out the broader theme of this episode, which has to do with choosing sides and following.

From the beginning, Eugene tries to delay taking any action by sitting down and making lists: "What I know," What I know I do not know "and" Things I'm not aware of. Totally. "Dwight tries to encourage his inaction, insisting," All you have to do to be on the winning side is nothing, "a directive that adapts well to the personality of the weeping intelligent guy Rosita and Michonne make similar cases to their people, saying they should trust Rick, and avoid making careless decisions just because they're eager to stay active.

But those two never try to stop Daryl & Co. And by stepping aside, they actually allowed the attack to happen It is a pity that they could not consult Eugene, who could easily have articulated for them his philosophy of not getting involved, he knows as well as anyone who, however much we wish to plead ignorance, eventually even our indecision becomes in an election, especially when there is a brewin storm and it's heading towards them.

Previously: Odd Couples

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