Springsteen, Scorsese talks about Catholicism, cinema and creativity.



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ARCHIVE: this Monday, November 5, 2018, archive photo, Bruce Springsteen is presented at the 12th Annual Benefit Stand Up For Heroes concert at the Hulu Theater at Madison Square Garden in New York. Springsteen is starting the Emmy campaign for his Netflix movie

ARCHIVE: this Monday, November 5, 2018, archive photo, Bruce Springsteen is presented at the 12th Annual Benefit Stand Up For Heroes concert at the Hulu Theater at Madison Square Garden in New York. Springsteen is kicking off the Emmy campaign for his Netflix movie "Springsteen on Broadway" with an acoustic presentation of "Dancing in the Dark" and a deep and powerful talk with filmmaker Martin Scorsese, both confirmed on Sunday, May 5 of 2019. (Photo by Brad Barket / Invision / AP, Archive)

THE ANGELS – With a friendship that dates back to a fateful reunion at The Roxy in 1975, Bruce Springsteen and Martin Scorsese shared the stage in Los Angeles on Sunday night for a broad conversation on everything from their Catholic education and their mature faith to Flannery O & # 39; Connor, concert Documentaries and the role of the public.

The event sponsored by Netflix was in support of the Emmy campaign for their individual show "Springsteen on Broadway" in the FYSEE space (a riff in "for your consideration") of the broadcast service in the heart of Hollywood.

Springsteen laughed at himself as he prepared to close the evening and seduce the crowd with an acoustic rendition of "Dancing in the Dark" that was "here today begging for strange vows."

But what better way to do it than with a nostalgic performance and a sincere conversation about creativity and faith with one of the best living filmmakers. And they did not waste time getting to heavy things.

"All my work was informed by my years in Catholic school," Springsteen told the intimate crowd of Emmy voters and the press from the beginning. "All that redemption, damn, all the movies of Martin Scorsese … As I grew up, I stopped fighting it, now I rely on it and enjoy it, there's no better source of attraction than the myths of Catholicism. It's in there. "

He said that "Mean Streets" in particular was ready for "An altar boy like me."

Scorsese responded that even his next Netflix movie, "The Irishman," deals with the same thing, "Trust, loyalty, betrayal and faith."

The two said that both are inspired by the stories of Flannery O & # 39; Connor (Scorsese recommended his letters to The Boss) and Springsteen said he always found that "darkness is more interesting than light." He hooked up with other artists he finds interesting, from Hank William, to Bob Dylan and Robert De Niro, who said he has a "two hour face".

"It's," What's bothering that guy? Something is bothering that guy, "Springsteen said." Those are the things that keep us watching. That's why you can see Bob De Niro's face for two hours, not 15 minutes. He never reveals his secrets. "

Scorsese added that audiences often seek answers, but the art that returns is of the type that does not provide them, which both found similar to how they experience faith as they mature.

The two finally discussed "Springsteen on Broadway," which was born by accident, after President Barack Obama asked him to play in the White House in the last weeks of his administration. Springsteen decided to combine the performances with storytelling, after all, he had just written a memoir and it was fresh, and that's what would eventually become the Broadway show and the movie.

As with "The Last Waltz" by Scorsese, & # 39; & # 39; Springsteen on Broadway & # 39; does not cut the audience. The director, Thom Zimny, did not even want one at first, but Springsteen protested.

"I said:" Well, who's going to laugh at my jokes? "He said.

They engaged in half of a hearing.

"(We) did not want to telegraph to the viewer what you're supposed to feel," Springsteen said.

The film was recorded in two nights, the first night in which Springsteen admitted that he had fallen because he was on stage, "Thinking about what he was doing … When you are too aware of yourself, you are not in it."

And he was fighting for De Niro's "two-hour face," or something that would keep the audience interested, although, deep down, he was just "an old guy and an acoustic guitar."

He also used monologues and stories to help contextualize the songs that the world already knows very well and "give them a renewed meaning".

"As the songs come out of the monologues, it's as if you've never heard them before," Scorsese said.

Springsteen dedicated his "Dancing in the Dark" performance to his mother, who just turned 93 and has been in Alzheimer's for nine years and does not speak, but she still loves to dance.

"She dances to survive," Springsteen said. "So tie your dance shoes and get going."

Follow the AP film writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr

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