For a while It seemed like Sony’s high-end digital motion picture cameras were on a collision course with their Alpha mirrorless cameras as those shooters became more capable of capturing video. Today the inevitable was confirmed: Sony officially revealed its FX3 with features from both the company’s digital cinema and Alpha lines, giving creators a more affordable way to capture Hollywoodgauge content.
An image of the FX3 leaked a few weeks speculates that Sony’s compact cinematography tool could capture video at 8K resolutions, but the full-frame backlit Exmor R CMOS sensor the camera is using is limited to resolutions up to 4K, or 16: 9 QFHD at up to 120 frames per second. Although even with a cooling fan and ventilation design that encourages natural heat dissipation, the FX3 can only record continuously at 4K, 60P. Shooting with a higher frame rate is limited so that the camera does not overheat. Skipping 8K is a decision Sony made to keep the price of the FX3 low or to make sure it doesn’t compete with the company’s more expensive one. digital cinema cameras-or both.
When recording a video, The FX3’s ISO setting can be brought to an impressive 409,600, which can come in handy the next time you find yourself filming on the dark side of the moon and can’t see the sun. TThe camera’s 627-point autofocus system includes features such as AF transition speed, which ensures that automatic focus changes go smoothly so as not to disturb the public, and Touch Tracking, which It allows Operators simply touch an object on the FX3’s flip-up touchscreen to tell the camera what to keep in focus in the frame, even when the subject is moving.
With battery and memory cards installed (CFexpress Type A and dual SDXC cards are supported), the FX3 weighs only 1.58 pounds and includes a shoe mounted grip, making it easy to hold, operate and maneuver the camera at low angles. Keeping a lightweight camera stable while shooting handheld is a real challenge, which is why the FX3 employs five-axis in-body image stabilization for smooth video even while shooting with a lens that lacks self-stabilization. Applied stabilization is also captured as metadata during shooting, allowing you to modify it during post-production.
Most filmmakers will want to keep the optional grip attached, because not only offers quick access to various controls, including ISO, iris, white balance, and zoom, it also features 15 custom buttons that can be programmed as shortcuts to 140 different functions that are normally hidden in a software menu. The grip also has a stand for a microphone, a pair of balanced XLR / TRS audio inputs and a two-channel 3.5mm stereo jack, while the camera can capture four-channel 24-bit audio when multiple microphones are connected.
The FX3 will be officially available starting in March with a price tag of around $ 3,900. That’s not pocket change, but it’s also $ 2,600 cheaper than new $ 6,500 Sony Alpha 1, which many people will consider as their next video shooter. However, it is $ 1,400 more expensive than the recently announced $ 2,500. Blackmagic Design BMPCC 6K Pro, which offers 6K shooting and an HDR rear display, although the 120fps high-speed recording is limited to 2K. But for video content creators who already have a bag full of Sony E-mount lenses, or who already have a workflow involving Sony’s high-end digital cinema cameras, the FX3 seems like an easy option.