Shashi Kapoor through the eyes of Amitabh Bachchan


The two actors shared a relationship that went beyond the many successful films they did together, including & # 39; Deewar & # 39; and & # 39; Namak Halal & # 39;

The year was 1969 and a tall and lanky candidate had landed in Mumbai to try his luck in the great bad world of Indian cinema. His only contact in the city of lights was an badociate of his father, a man named Geoffrey Kendall, who would later introduce him to his son-in-law, an actor named Shashi. Kapoor

The lanky guy would become a superstar in his own right one day, who would be called Amitabh Bachchan.

Such were the stories that continue to emerge as Bollywood gets rid of the loss of Kapoor, who succumbed to health problems and died on a rainy night on December 4.

After his death, Bachchan wrote a poignant post on his personal blog, recalling his first encounter with the late actor in 1969. Describing his infectious "Smile and his naughty voice", Bachchan shared that his co-star He used to address him fondly as "babbua" [son].

Bachchan went on to narrate an anecdote, describing how Kapoor would influence the actor in recent years, including inspiring his famished hairstyle, saying: "[Kapoor with] his semi-curly hair on his head, falling carelessly on his forehead and ears, without covering it at all … and my superior story [mind] muttered again: "Hey! Maybe, you should also think about covering your ears. "And I went to Hakim the hairdresser of the Taj Hotel with my plan and I executed it, to date".


Back in 2009, Bachchan had shared his family's close badociation with Kapoor when the former was just a troubled actor in Mumbai.

"Before arriving in Mumbai for a job as an actor, my badociation had indirectly taken place with Shashi ji through his father-in-law, Mr. Geoffrey Kendall." Kendall directed a theater group called Shakespeareana and they would also tour India, "Bachchan wrote.

He continued: "In Mumbai, Shashi ji had always been a great support, I visited him on the set when he was looking for work, he was already a star established by then, and he introduced me to all his directors"

It was Kapoor who first instilled confidence in Bachchan, scolding him for taking on two-bit roles early in his career because "he was made for bigger things."

His camaraderie came to produce one of the greatest pairing in Bollywood history, his films including hits such as Deewar, Namak Halal, Do Aur Do Paanch, Suhaag … and the list goes on.

Bachchan himself acknowledged the badociation, declaring: "Shashi Kapoor and I became inseparable in many successful businesses that followed, the main ladies would shun our projects by proclaiming that they would not have anything left once SK and AB were together. his first film with me, he became my relative when Shweta [Nanda, Bachchan’s daughter] married Raj Kapoor's grandson.

It was a cruel irony that Bachchan was hired as an extra to play a coffin at Kapoor's funeral in ] Filmvalas all those years ago, when Kapoor found out, he talked to James Ivory-Ismail Merchant and they removed the scenes from the movie.


On his blog, Bachchan shared: "Ismail Merchant, the producer of the movie He called us a good day and said there were some small parts we could do and he would pay us 500 rupees for it. I needed the money so desperately to feed myself, I accepted willingly.

"The scene that morning was the death of Shashi ji where his body was being carried in procession to the burning dock for cremation, I was asked to be among those who formed the carriers of the coffin along with other young artists in the sequence, to carry the body.

"Shashi ji was not on the set, obviously, but fell later in the location. When he saw what we had been asked to do, he walked towards me among the crowd of mourners in which I was standing as a junior artist, or the "extra", and asked me to move. "Do not do these small parts," he advised, "you're made for better things"; and then I spoke with the director to erase those parts of the movie "

During the premiere of Deewar, perhaps his biggest movie together, Bachchan revealed that the two actors were sitting together watching the movie screen.

"The movie started and Shashi ji was next to me in the next seat. We never said a word. Butterflies premiere But when the scene began under the bridge, the moment & # 39; I pbad maa hai & # 39; [I have my mother] I felt a soft hand in mine. It was Shashi ji.

"He never spoke, but the way he took me by the hand said it all, it was comforting, it was love, it was everything a wrestling actor had ever played as an" extra "in a movie starring this gentleman sitting next to me, I had never dreamed it would happen. "

Such was their bond that years later, when Kapoor continued to direct the fantasy film of 1991 Ajooba Bachchan was the natural choice to play the main role of the crossed Fox-esque. According to popular knowledge, Bachchan never charged a dime to star in the film.

In his later years, Kapoor became a recluse, which Bachchan attributed to the grief of losing his wife, Jennifer Kendall.

He wrote: "He let himself go and locked himself up almost like an inmate." He barely acknowledged an invitation to come in. After the death of his wife Jennifer, he became distressed, but for good, he remained the same well-meaning, cultured colleague. soft-spoken and fun-loving. "


INDIE CINEMA CHAMPION [19659003] Even though Shashi Kapoor once said that he would always want to be remembered As Bollywood's quintessential romantic hero, the actor was perhaps one of the first Bollywood stars to recognize the power of independent cinema.

In 1978, a year that saw Kapoor play leading man in such dominant films as Trishul and Satyam Shivam Sundaram the actor also went on to star and produce the film directed by Shyam Benegal, Junoon. The film, which focused on the Indian Mutiny of 1857, won the National Film Award for Best Feature Film in Hindi.

As a producer, Kapoor continued this streak with 36 Chowringhee Lane, who introduced his late British wife and actress Jennifer Kendal as an Anglo-Indian teacher who lived in Calcutta after independence. The bittersweet drama may not have found many interested in theaters, Kapoor allegedly had to rent theaters to film the film, but he won the National Award for Best Director for Aparna Sen and won several more accolades in several film festivals.

Kapoor also went on to produce Vijeta (1982) and Utsav (1984).


Did you know?

Although he only directed Amitabh Bachchan in the 1991 fantasy film Ajooba, few know that in the early days of his career Kapoor worked as an badistant director in films like Post Box 999, Guesthouse, Shriman Satyawadi, Dulha Dulhan and Manoranjan.

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