Home / Entertainment / Season 8 of & # 39; Game of Thrones & # 39; marks the historical minimum by the amount of dialogue spoken in the series

Season 8 of & # 39; Game of Thrones & # 39; marks the historical minimum by the amount of dialogue spoken in the series



<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Faithful fans of"game of Thrones"They have been vocal about all the reasons they have been disappointed in the final season, but most criticism is reduced to not telling enough stories to give the characters their proper evolution." In fact, bad writing has been cited. in the online petition to redo season 8. "data-reactid =" 18 "> The fans of" Game of Thrones "have expressed all the reasons why they have been disappointed in the final. season, but most criticisms are reduced to not telling enough stories to give the characters their proper evolution. In fact, bad writing has been cited in the online petition to remake season 8.

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "" David Benioff and DB Weiss have proved their worth. be unfortunately incompetent writers when they have no source material (ie, books) to turn to, "the petition states "This series deserves a final season that makes sense. Subvert my expectations and make it happen, HBO! "" Data-reactid = "19"> "David Benioff and DB Weiss have proved to be unfortunately incompetent writers when they do not have source material (ie books) to appeal to," the petition states. "This series deserves a final season that makes sense, subvert my expectations and make it happen, HBO!"

Related stories

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "The composer of & # 39; Game of Thrones & # 39; Ramin Djawadi in Working towards the musical end he always imagined"data-reactid =" 21 "> & # 39; The composer of game of thrones & # 39; Ramin Djawadi in Working towards the musical end he always imagined

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = ""Game of thrones": Lino Facioli embraces playing "That Weird Kid" who returned at the end"data-reactid =" 22 "> 'Game of Thrones': Lin Facioli embraces the game 'That Weird Kid' who returned to the end

Now it seems that there are electronic data to show that the writing has changed since the series began until how it ended. According to the data that the member of GitHub, Mr. Quart compiled in OpenSubtitles.org, the words spoken per minute in each episode of "Game of Thrones" have gone through a decrease from one season to another.

Most of the words in an episode were spoken somewhere in the middle of Season 1, and the fewest words spoken per minute reached a record low in Season 8. This seems to be around Episode 3 "The Long Night" , when all Winterfell is engaged in a war with the Army of the Dead. This makes sense, since many action sequences benefit from the "show do not tell" approach. Cersei Lannister (Lena Headey) exploiting Baelor's Sept with uncontrolled fire is one of those effective sequences that did not require much dialogue.

Here is a look at the table that was shared by Joanna Robinson:

Of course, more words per minute is not necessarily an indicator that an episode or even a season is better. But the downward trend from season to season shows how the narrative has changed. While Benioff and Weiss had the work of the author George R.R. Martin faced them, the narrative rhythm was established (one book per season) and, therefore, they could focus on dialogue, often extracting passages directly from the novels.

The duo even found time to include additional scenes full of dialogues that revealed aspects of the characters or Westerosi's politics. In particular, season 1 included a scene in which Cersei and her husband, King Robert Baratheon (Mark Addy) reveal their less than amorous relationship, while a scene in which Loras (Finn Jones) shaves Renly (Gethin Anthony) ) reveals the opposite.

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Season 8 was mainly devoid of those moments with the exception of Episode 2, "The Knight of the Seven Kingdoms", who takes the time to sit down with the characters and give them meaningful moments that have very little to do with the trajectory of the iron throne.It may not be a coincidence that this is so. the most rated episode By users for the season. In contrast, the final episode was the lowest rated by the users. For better or for worse, it seems that viewers respond better to the episodes that take time to make the moments of the characters feel won. "Data-reactid =" 28 "> Season 8 was mainly devoid of those moments with the exception of Episode 2, "The Knight of the Seven Kingdoms", who takes the time to sit down with the characters and give them significant moments that have very little to do with the dizzying trajectory towards the Iron Throne. a coincidence that this is the most qualified episode made by the users of the season.In contrast, the final episode was the one that received the lowest rating of the users.For better or worse, it seems that the viewers respond better to the episodes They take the time to make the character's moments feel like they're won.

<p class = "canvas-atom canvas-text Mb (1.0em) Mb (0) – sm Mt (0.8em) – sm" type = "text" content = "Sign up for Indiewire Newsletter. For the latest news, follow us on Facebook, TwitterY Instagram. "data-reactid =" 29 "> Register to receive the Indiewire newsletter For the latest news, follow us on Facebook, Twitter and Instagram.


Source link