Robert De Niro and Martin Scorsese talk about their work in Tribeca; Touch on 'Irishman' – Deadline

Robert De Niro joked with Stephen Colbert during his sitting in The last show A week ago, he noticed that when it came to his Tribeca Talk with Martin Scorsese, he would ask a question, go for a coffee and come back minutes later to ask the next question.

That was not the case here today, as the two went from one place to another on stage for more than 90 minutes at the Beacon Theater on the Upper West Side of Manhattan, covering most of the land; of their collaborations together, such as Bad streets, the King of comedy Y casino, to those photos where the Furious bull The Oscar winner did not star, that is. Silence Y The wolf of Wall Street.

However, for those fans who want to hear more about their ninth team together, The Irish, or watch a clip of the next Netflix movie, the duo did not get immersed in any great detail. Rather, they delivered pbad mentions of the photo. Outside Tribeca Talk today, Deadline heard that the film was not yet ready to deliver a clip, which makes sense, since the images were not shown in the latest Scorsese film Silence, A release of December 2017, until mid-October of that year.

Starting his chat with a clip between Harvey Keital and Robert De Niro talking Bad streets, Scorsese spoke briefly about the spread of the mafia genre with The Irish. "It's a world that has been romantic since then (Mean Streets), "Said the filmmaker about the photos of the mafia." Even in our new film, the nature of who these people are are not necessarily the traps that surround them, but who the people are. "

Robert De Niro on the set of & # 39; The Irishman & # 39; In New York

"The book was great," De Niro said of Charles Brandt's novel. I heard you paint houses, which one the Irish it's based on, about the feats of mafia killer Frank "The Irishman" Sheeran. "I heard you paint houses" are the first words that Jimmy Hoffa spoke to Sheeran, whom De Niro interprets in the photo, and "paint a house" means to kill a man. In the book, Sheeran, a veterinarian in the army of World War II, confesses to the author that he handled more than twenty-five hits for the Mafia and for his friend, Hoffa. Sheeran worked for mob boss Russell Bufalino, who ordered him to leave Hoffa.

"I told Marty, read this, look what you think." We were about to do something else and we entered The Irish,De Niro said.

"I think that, deeply, you felt the heart of this character, this situation, and it is universal, it happens that it is established in this world," Scorsese added.

Towards the end of his session, a member of the audience shouted for more information about The Irish, and Scorsese replied: "It's in the middle of the photos we've taken together, and that's what characterizes us, and I think I hope it's from a different point of view." When the years pbad, you see things in a special way, "said the The dead people Oscar-winning director.

Leonardo DiCaprio made a cameo in the audience, who gave a greeting to the stage. He emerged towards the end, while De Niro and Scorsese argued. The wolf of Wall Street and how the snake oil seller's story, according to the director, was "a very American story, about the land of opportunity." He also told the audience with the story of how De Niro recommended a young DiCaprio to follow The life of this child, "Something he never does," Scorsese said of De Niro.

"He liked the photos we did, he wanted to make films like that and not be afraid of certain subjects," said Scorsese about DiCaprio, who has recorded five films with the filmmaker.

"One of the people in the (US presidential) cabinet said that the movie distorted the financial world," Scorsese said. The wolf of Wall Street.

One of the most interesting stories that De Niro and Scorsese talked about was their work in the 1982 film The king of comedy. De Niro loved the script of Paul Zimmerman. The writer gave it to De Niro and Scorsese in Cannes. Milos Forman wanted to do it with De Niro, but under another writer. But the actor wanted Scorsese to direct. Scorsese at that time did not have his heart in the movie. However, De Niro did it, and it was a great learning experience for the director. "I felt it was a one-line joke," Scorsese said of the photo, which follows a wannabe on foot who stalks a nighttime talk show host hoping to act on his show. "He wants to be on television so much that he kidnaps a television host," Scorsese said.

"But I missed what you saw, the burning need of celebrity, the longing to be famous, but famous why?" Said the director. The photo reminded him of George Cukor's movie. It should happen to you, about a young woman played by Judy Holliday who rents a billboard to advertise, and her life changes at night. Scorsese could see why the project spoke with De Niro, with the rise of the actor's power. Godfather II.

Scorsese and De Niro even met a real-life Rupert Pupkin guy before filming. They remembered a boy who wrote De Niro extensively, asking to have dinner with them. De Niro took Scorsese to the boy's house for the experience. "I remember sitting on the boy's bed in his room and living with his parents," the actor said.

Scorsese remembered that King of comedy came out "and they killed us (for the critics) .There were these new popular shows like Entertainment tonight who said that (the movie) 'blames the media. That is outrageous! "At the time, it was absolutely the wrong time to release a movie after Furious bull Y The heaven's Door Y Apocalypse now. They expected, from our collaboration, something different. This was different, but they wanted another way. "

King of comedy He also rethought, according to Scorsese, the first time he worked with a great personality star, which was Jerry Lewis. One day on set, Scorsese kept Lewis waiting around midnight, and received a stern visit from the actor, who asked the director to let him know if production was prolonged and was not necessary. "I thought that" Oh, it's not just about us ", said Scorsese, indicating that he was used to making low-budget movies, that he worked 24 hours with his friends like De Niro.

"I began to understand the time and physicality of the filming," said Scorsese, adding that "the improvisation (in the film) lasted for centuries." But time has been on the side of King of comedy. Scorsese mentioned that, by 1990, movie magazines were announcing the film as one of the best of the 1980s. "People now think it was a glorious blow, but it was rejected (when it was opened). In Los Angeles, we were replaced by a movie called Losin ', " The director added.

Scorsese showed a clip of Casino, and it was the moment in which Nicky Santoro, of Joe Pesci, meets De Riro's Ace Rothstein in the desert and sends him a mouthful of curses; how he's being too extravagant in his supervision of the casino. Scorsese said Pesci's tirade on the scene was "like jazz." Scorsese found casino be a version of Lost paradise: "God gives them this paradise of sin, Las Vegas, and they can do anything and ruin it. And they are expelled from paradise. "

More to remember when: Scorsese remembered when producer Irwin Winkler brought some UA executives to the department to talk about Furious bull Before it went into production. Apparently, they just wanted to talk about the picture with him and De Niro. One of the costumes asked why they would want to make a movie about boxer Jake La Motta. "This guy is a badroach," Scorsese recalled to the executive. "His reaction was articulated," Scorsese told De Niro, "You said: No, it's not." And with that, the production advanced. Scorsese later learned from Winkler that the executives were coming in an attempt to close Furious bull.

At the end of today's talk, a member of the audience asked De Niro if he still auditions.

"I have readings of films," said the two-time Oscar winner, a process that allows him to feel a director and a project. "But traditional readings like that, not for long."

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