The Centro Cultural de Bomba y Plena within the Villa Palmeras neighborhood of San Juan, Puerto Rico, has cancelled courses to as a substitute supply help to their neighbors after Hurricane Maria flooded the realm and broken their properties.
Modesto Cepeda performs a barril de bomba a conventional drum utilized in bomba music outdoors the Centro Cultural de Bomba y Plena, the college the place he teaches dance and percussion.(Photo: Jasper Colt, USA TODAY)
VILLA PALMERAS, San Juan, Puerto Rico — The drums on the Centro Cultural de Bomba y Plena on this neighborhood have at all times sounded: For births, birthdays, block events — even at funerals.
But the normal barril de bomba drums — first utilized by enslaved Africans on the island 4 centuries in the past and stored alive by the middle — have been eerily quiet since Sept. 20 when Hurricane Maria tore by means of Puerto Rico and ravaged this neighborhood.
“It’s the first time in 44 years we’re not playing the drums,” stated Gladys Cámara, who runs the middle alongside together with her dad, Modesto Cepeda, 78, a composer and teacher of the folkloric music often called bomba y plena. “Maria just ripped out our soul. In respect to Puerto Rico, we stopped playing.”
Instead, Cámara has shifted her consideration to serving to the neighborhood her household has served over time by means of conventional drum and dance courses. Along with San Juan lawyer Maru Calderón, the pair have been drawing donations from the U.S. and deploying them straight into Villa Palmeras.
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Just a 10-minute drive from the Puerto Rico Convention Center, the place the Federal Emergency Management Center has its headquarters, Villa Palmeras is understood for its medicine and crime, but it surely’s additionally house to working-clbad Puerto Ricans who’ve struggled to get better since Maria.
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Piles of storm particles line the curbs. Electrical poles are snapped in half, their wires tangled in nests. People right here stay in properties with out roofs or energy, and most are nonetheless ready on federal catastrophe cash.
FEMA has paid out greater than $125 million in particular person help funds all through Puerto Rico. But individuals in a few of the extra embattled corners of the island, similar to Villa Palmeras, say they haven’t seen any of it.
Just a few FEMA and Army Corps of Engineers staff have come into Villa Palmeras with clipboards and pencils, requested questions and left with out serving to the individuals or delivering provides, Calderón stated. “The greatest frustration throughout this process has been bureaucracy at every level,” she stated.
Frustrated on the gradual tempo of restoration, Cámara and Calderón determined to start out their very own reduction effort. Calderón tapped her connections within the U.S. to deliver a gradual stream of donations to her San Juan workplace, whereas Cámara surveyed the neighborhood to seek out out who wanted what essentially the most.
Days after Maria, they had been handing out care bins crammed with canned meals, bottled water, grownup diapers, child wipes, cleansing provides, insect repellent, tarps, mops and energy bars.
Cámara and Calderón have up to now obtained 50 giant shipments of donated provides from the U.S., all of which have went on to residents. Calderón has additionally raised greater than $800 in a Venmo fundraising account to badist Cepeda repair his house, which was battered within the storm.
“This center and this family represents everything good about Puerto Rico,” Calderón stated of the Cepeda household. “They represent hope.”
Bomba is a percussion-driven musical custom imported to Puerto Rico by slaves within the 17th century, and plena developed from bomba to start with of the 20th century, in keeping with the Smithsonian Institution. Often taken collectively, bomba y plena includes billowy white clothes worn by dancers and barril drums, produced from the wooden of rum storage barrels and fatter and shorter than conga drums.
Slaves used the drums to speak with each other throughout plantations, and the accompanying dance grew right into a staple of Puerto Rican historical past.
Cámara’s grandfather, Rafael Cepeda, is credited with reviving the custom within the 1950s and ‘60s by placing collectively extravagant exhibits. In 1973, his son, Modesto Cepeda, started educating space youths the custom, and the cultural heart turned a faculty that stored the custom alive and stored troubled youths off the road.
Students on the heart have gone on to grow to be skilled dancers or educate bomba y plena within the mainland U.S., Cámara stated. Earlier this yr, Modesto Cepeda gained a National Endowment for the Arts fellowship for his work within the custom.
The Cepeda household has achieved quite a bit for the neighborhood, however none as instantly useful as once they confirmed up with tarps and bins of canned items three days after Maria, stated Eveyln Sanchez, 52, who lives close to the middle.
Maria tore off a swath of Sanchez’s roof. She utilized for FEMA badist greater than a month in the past however nonetheless hasn’t heard from the catastrophe company. The Cepeda household helped cowl her roof and gave her canned items and solar-powered lamps. “Thank God, they got things done for me,” she stated. “I’ve cried a lot.”
Rosalía Verdejo, 58, stated the Cepeda household has given her groceries, tarps and solar-powered lights at a time when nobody else gave the impression to be round. “The only people helping us are the Cepedas.”
The Cepeda household is now targeted on Nov. 18, once they plan to have a block get together and revive the dormant drums. “People are going to come here and get cured,” Modesto Cepeda stated. “Music unites families, unites people, unites communities.”
Sitting in entrance of the middle, he requested Cámara to fetch his drum. He wedged it between his legs, began tapping its pores and skin and broke into tune.
“Support what’s ours, I ask to help what’s ours
Support what’s ours, Puerto Rico in our hearts.”
To donate: Venmo.com, MaruCalderon.
Follow Jervis on Twitter: @MrRJervis.
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