Born in Lubbock, Texas in 1942, Davis developed into a country and became an adult contemporary crossover star with solo hits such as “Baby Don’t Get Hooked On Me”, “Stop and Smell the Roses,” and “One Hell of a Woman”. . “In 1974, he was named Entertainer of the Year by the Country Music Academy, beating nominees such as Loretta Lynn and Merley Haggard. That same year, he was nominated for Entertainer of the Year by the Country Music Association, but Charlie Rich Lost from
Davis experienced a resurgence in the eighties, thanks to the hit “It’s Hard to Be Humble” from 2019’s “cover by Willie Nelson” Ride me back home), “Texas In My Rearview Mirror,” and Rockabilly “hooked up to the music”, nodding to their greatest champion: Elvis Presley, both lyrically and musically. In the late sixties, he cut a string of Davis compositions, including the story of “A Little Less Conversation” and inner-city poverty “In the Ghetto”, which Davis also recorded. The former was a posthumous hit for Presley, which was remixed in 2002 by Dutch DJ Junkie Xtra, while the latter’s success exposed Davis to Presley’s material. He would go on to record other compositions such as “Memories” and “Don’t Cry Daddy,” both staple live performances of his memories.
Davis, a member of the Nashville Song Writers ‘Hall of Fame and the National Song Writers’ Hall of Fame, was one of several artists in his songs recorded by Kenny Rogers, Glen Campbell, Bobby Goldsboro and the soft-rock band Gallery who cut Davis gave. I believe in music. “In 1989, he recorded the duet song” Wait ’till I get you home “with Dolly Parton for the country’s veterans album White limousine.
Davis experienced modest success as an actor and TV personality, even hosting her own variety series, Mac davis show, From 1974 to 1976 on NBC. In 2019, he appeared in a sequel to the Netflix series Dolly Parton’s heartbeat.
Kenny Chesney counted Davis as an early influence and remembered him as a “songwriting hero” on Tuesday.
“He welcomed me to his house, and turned that tremendous creative light on me. Even though he wrote ‘In the Ghetto’ for Elvis and was such an incredible hit on his own, he made me realize what I was doing, “Chesney said.” A small-town boy who had the greatest variety of fame. Achieved, he remained a good man, a family man. He was Mac: a huge heart, quick to laugh and a big creative spirit. I was blessed that he was shining on me. ”