How to picture a forest-orange sky on a phone


Many people in Northern California were caught off guard Wednesday morning when they woke up in pumpkin-orange skies due to smoke from several wild woods.

And so were his iPhones.

Others attempting to document the scene of the scene may find that the rich orange and red tones they see – even after rubbing their eyes in disbelief – are not translating into their cellphone snapshots.

That’s because the camera – a computer – tries to make sense of “it sees”, according to Jay Klandenin, a veteran photographer with the Los Angeles Times.

“It’s going to look at that scene, see what it thinks it’s a sky, look at that yellow and say, ‘Oh, well, that’s not right.” And convert it to blue, most likely, ”said Clandenin, who has set fire to dozens in his 12 years with the Times.

In photography, this is known as white balance, or the process of removing cast of color that can make a photograph unnatural. This idea is done to give whites a blond look, blue color etc. iPhone cameras do so automatically, operating under natural color assumptions. So what do you do when you are trying to catch something that looks unnatural?

First, Clendin recommends turning off HDR, or high dynamic range. That ceremony consists of an automatic performance, a spectacular performance and a deep performance, then combines them into an image, he said.

“It would really mess up as a picture because it’s actually combining three pictures into one,” he said. “So if you turn it off, you’ll be close to getting a frame every time.”

You can also adjust the color tone before or after taking a photo.

Before taking a photo, you can select a filter by clicking the icon with three overlapping circles in the right-hand corner. Choices such as “fiery hot” and “dramatic warm” enhance the yellow tone.

To twist the photo after it has been taken, label it “Warmth” in the iPhone editing software. To find this function, open a photo, click “Edit” at the bottom right corner, click the icon that looks like Yin-Yang and then scroll through the options until it appears.

Photojournalists typically do not work with cellphone cameras when in a breaking news situation when covered like a wildfire. And after taking photos, editing them is done within specific parameters. The Times ethics guidelines read: “We do not add color, create photomontages, remove objects or remove images. We do not digitally alter images beyond color correction, risk correction and removal of dust spots or scratch removal as needed to ensure faithful reproduction of the original image. We do not allow exaggerated use of burning, dodging or color saturation or the use of photo editing app filters to manipulate images for publication. ”

Recalling photos of California wildfires in the past, Clandin said that when he is close to the flames, he sees pale yellow skies, “but to see that everywhere is like crazy . ”

Even in Southern California, where the skies have not taken on the dark orange color facing north, Klandenin described “haze and glow” in Manhattan Beach.

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