Final Evening Was Star Trek: Discovery’s Finest Episode

All photos: CBS

In the event you’ve been sitting round ready for Discovery to discover a steadiness between traditional Trek storytelling and its dedication to serialized storytelling with a single major character, than “Magic to Make the Sanest Man Go Mad” is one of the best we’ve obtained up to now.

I’ll admit up entrance that I really like a time loop episode. They’re at all times good fodder for each comedy and drama, and even the obvious and normal of jokes are often enjoyable sufficient should you care in regards to the characters. That and the truth that I’ve been fairly clear on my affection for Stamets as a personality meant that this episode was just about tailor-made for me. There have been some fairly clear issues, nonetheless, however I total loved this episode far more than every other we’ve had up to now. I didn’t even thoughts the hilariously on level private log of Burnham’s, the place she simply spoke the message of the episode out loud—even that dangerous little bit of storytelling is a traditional little bit of Trek.

“Magic to Make the Sanest Man Go Mad” begins at some indeterminate time (I’m certain somebody is aware of, however I’ve by no means been good at translating stardates to regular Earth time) after the final episode. Burnham and the Discovery have settled right into a routine, along with her within the official position as “specialist” supplied to her by Lorca in final week’s episode.

The tide of the battle has turned in favor of the Federation, because of the work of the Discovery. Stamets’ model new DNA and navigational expertise have made him act out in all types of utmost methods. He’s very chipper and pleasant nowadays. Burnham’s log additionally hints that’s she grown drawn to Tyler, which is simply… going to be a catastrophe in a nasty means when no matter’s ready to be revealed is revealed.

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100% no sarcasm: that is fairly near my expertise of how nerds social gathering

The loop begins with a celebration—by which we discover out that the longer term events just about like the current, proper right down to one of many 400 variations of beer pong I bore witness to in school—which serves two functions: it signifies that they get to arrange the loop with a music cue from Wyclef Jean’s “We Attempting to Keep Alive.” It’s thematically a humorous tune title for this story and a much less determined reference than the Elon Musk one was just a few weeks in the past, however nonetheless, these things at all times ages poorly on Star Trek.

Anyway, after Tyler takes the time throughout this social gathering to speak about everybody who died, I suppose, he and Burnham are summoned to the bridge. They knock into Stamets on the best way there, and we, uh, get a first-hand glimpse at simply how the spore drive is altering Stamets:

On the bridge, the ship has run into one other traditional scifi trope: the area whale. This one, known as a “jormungandr” (presumably after the Norse fantasy), is endangered and Starfleet laws require that they create it on board. That’s when Harry Mudd exhibits up.

He escaped the Klingons and is sort of rightfully pissed at Lorca for leaving him behind and has determined to determine the Discovery’s secret and promote it to the Klingons in revenge. He’s obtained the power to reset time, so he’s looped 30 minutes of the Discovery, spending the loops determining learn how to hack the ship’s techniques, learn how to keep away from safety, and varied components of the spore drive. The one factor he’s lacking is, principally, Stamets.

On the identical time, Stamets is Mudd’s greatest drawback. His time within the spore drive and with the magic tardigrade DNA means he lives exterior the loop and remembers them occurring. And his frustration with reliving the identical 30 minutes again and again has helped him regain a few of his typical surliness. (One level I’m deeply interested in, which this episode solely hints at, is how Stamets’ boyfriend is dealing with Stamets’ clearly very exhausting character swings. This needs to be a pressure.)

Stamets is coming to Burnham and Tyler to inform them in regards to the loop, saying all of it begins with the jormungandr. Extra importantly, he’s determined Burnham is the important thing to stopping this as a result of Tyler spent probably the most time locked up with Mudd and presumably has some data they will use. At one level, Burnham says that Stamets advised her that he tried simply speaking to Tyler, however Tyler wouldn’t open up. However Burnham and Tyler like, like one another, so she can badist him.

And that is the place the construction of Discovery harms even this, its finest episode. A extra logical perspective character for this episode is Stamets, since he’s the one who remembers the loops. We must always see him fail to attach with Tyler, however as an alternative we’re advised he doesn’t. And never even by him, however by Burnham, as a result of she’s the lead, slightly than this present being an ensemble that may simply transfer round factors of view.

Equally, Lorca, because the individual Mudd hates most and the one who, up till now, has had the closest connection to Tyler is the obvious individual for Stamets to attempt to discuss to about what’s happening. However that is Burnham’s present, so it’s Burnham who has to have a private connection to all the pieces. And so a love story that has not had sufficient time to develop needs to be spelled out in phrases on this episode. It’s a slipshod means to make use of Burnham’s newfound feelings to screw her when Tyler is revealed to be a spy. I hate that, of all of the clichés we’re going with, we’re going with the Spy Who Beloved Me. Ugh. Gross. Not even the montage of Mudd killing Lorca makes me really feel higher.

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Okay, that’s a lie. The silly face Jason Isaacs commits to here’s a treasure.

Anyway, Burnham’s shitty socializing spells doom for Tyler opening up till Stamets—sure, Stamets—talks her via feelings. Him speaking about how he met Culber is legitimately beautiful and delightful. Stamets and Saru are in a relentless battle to be my favourite.

So Burnham figures out that Mudd has a time crystal gadget on his arm and a bigger crystal in his ship, which is within the area whale. (Truthfully, Mudd understanding that Starfleet laws require bringing it aboard is a few high-quality planning.) However Mudd kills Tyler, so Stamets, worn down by seeing everybody die and being the one one that remembers it, turns himself over to Mudd. Burnham desires him to reset time so she will save the ship and get Tyler undead, so she reveals who she is and the way a lot the Klingons would pay for her after which commits suicide. Mudd resets the timeline, the crew works collectively to get round Mudd’s commandeering of the ship and as an alternative of the Klingons displaying up, it’s Mudd’s Stella—whom he by no means actually beloved as a lot as he did her dowry—and her arms-dealing, livid father who exhibits up.

This helps clarify how Stella will flip from loving Mudd in Discovery:

To this being Mudd’s prevailing picture of her by the unique sequence:

None of that explains how these two actresses are purported to be solely 10-12 years aside in age, nevertheless.

This type of pulpy scifi plot, with an added theme about love and feelings, is true within the strike zone of Discovery. Do I feel it might need been higher if Burnham hadn’t been the main target? Sure. There’s a lot of speaking as an alternative of displaying as a result of Burnham needs to be advised all the pieces as an alternative of experiencing it herself. I additionally do not know how Stamets knew what Burnham was planning within the penultimate loop, since he wasn’t round for any of it and he’s the one one who may have remembered.

Nevertheless it was enjoyable, it was total unobjectionable, and we now have a brand new sport known as “Decide your favourite Stamets line”:

  • As days go, it is a bizarre one.
  • (distracting Tilly) I simply noticed the most popular man over there and he’s in a band.
  • If I’ve to elucidate this once more, I’m going to throw myself out an airlock.
  • Dance with me. For science.
  • (dancing with Burnham) Are you able to let me lead, please?

I’m going with “I simply noticed the most popular man over there and he’s in a band.” Anthony Rapp nailed the supply on that one.

Assorted Musings:

  • Of all of the loop variations, Lorca’s “I don’t give a rattling. I nonetheless don’t give a rattling” in regards to the jormungandr was a stand-out.
  • Mudd’s line “There are actually so some ways to explode this ship it’s like a design flaw” was a little bit of lampshade hanging on the premise that I loved.
  • “I’ve by no means been in love” is a bizarre secret to inform somebody so that you just’ll imagine them after you neglect a dialog. I’d have gone with one thing extra like “I hated my foster brother’s pet sehlat and was glad when it died” or one thing. One thing extra particular and fewer prone to be taken as a bizarre insult when it’s blurted at me within the subsequent loop.

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