She’s still really hot now, but to see Olsen’s true dramatic gifts, you have to turn to Facebook’s “Sorry For Your Loss.”
Stop me if you’ve heard this one.
A young widow, played by “Avengers: Endgame” star Elizabeth Olsen, struggles to make sense of her world after the sudden and untimely loss of her partner. She finds herself bereft, struggling to make sense of a future that now seems incredibly bleak, and tries, sometimes through destructive behavior that hurts herself, as well as everyone around her, to reconcile not just the pain of lose her husband, but also the pain. Destruction of your hopes and dreams. In the process, Olsen uses all the tools in her acting toolbox, finding new ways to awaken empathy in viewers, always finding new levels in her sadness and anger, but also protecting the little moments of joy and hope that arise. , spontaneously, as he tries to unleash his pain without undoing his soul.
Despite all the similarities that can be drawn between the above description and Olsen’s dynamite performance in the center of Disney + “WandaVision,” it is actually a little-seen Facebook Watch show that demonstrates the breadth of Olsen’s range, the 2018 two-season drama “Sorry For Your Loss.”
Peak TV is a double-edged sword, with the sheer number of content providers meaning there is more room for storytelling. Small stories, in particular, have thrived with the expansion of TV broadcasting, providing calmer narratives, once intended to be told only through independent films, if at all, the opportunity to explore their themes with more. time and depth.
The downside, of course, is that while Peak TV allows exponentially more stories to be told, it also means that there is more competition for viewers than ever before and that series on less established networks and broadcasters can easily be overlooked for sheer lack of exposure.
Certainly, that is not a problem for “WandaVision”. The first television project in the Marvel Cinematic Universe that comes close to capturing the large-scale storytelling and impressive production values of its film franchise appears to be bewitching Marvel fans and drawing them en masse into the series in a way that previous television companies. including ABC’s “Agents of SHIELD” and Netflix’s “Iron Fist,” they never did.
Courtesy of Disney +
Throughout “WandaVision,” which concludes on March 5 with the finale, audiences have raved about Olsen’s performance, peaking with the eighth episode, in which the series finally allowed titleholder Wanda Maximoff to prosecute. part of the grief over the loss of your partner. Vision, which he had been avoiding since the show began. For fans who only know Olsen from her work as the Scarlet Witch within the MCU, this is one of her first opportunities to experience the true range of the actress’s abilities and they are impressed, to say the least.
But for fans who have been keeping an eye on the actress since her breakout performance in 2011 in Sean Durkin’s “Martha Marcy May Marlene,” this new appreciation for Olsen’s abilities is not a surprise but an inevitability.
Which is all to say that if you think Olsen’s acting skills on “WandaVision” deserve the Emmy’s attention, you haven’t seen anything yet. The truth is, while Olsen is doing a great job on the Disney + series, her performance could show up in the work of supporting actress Kathryn Hahn as Agatha Harkness, recently revealed as an evil mastermind who manipulates Wanda’s world.
To see Olsen’s true dramatic gifts, you must turn to “Sorry For Your Loss.”
In the two-season series created by Kit Steinkellner and frequently directed by independent writer and director James Ponsoldt, Olsen plays Leigh, a previously mentioned young widow who faces life after the mysterious death of her husband. Through the 20 episodes, we see both Leigh and her friends and family, with standout performances from Jovan Adepo, Kelly Marie Tran, and Janet McTeer, as they learn to move on and try to prevent tragedy from further fracturing their lives.
The entirety of the series lives and dies thanks to Olsen’s performance. Grief is meaningless at best as our minds struggle to make sense of the loss and in “Sorry For Your Loss” the issue is further complicated by Leigh’s husband’s story of depression and confusing circumstances. around his death suggesting that it might not be so. they have been accidental.
Courtesy of Disney +
Olsen glides seamlessly between emotions, from anger, denial, frustration and beyond. Much of his pain is transmitted only by his eyes and, at times, he looks like a zombie, just a flash of life in his gaze, like a sail cowering in the wind.
As much as you hate recommending someone visit Facebook, “Sorry For Your Loss” is worth the trip, just for Olsen.
Which is not to say that the actress is not doing an incredible job on “WandaVision.” At the very least, his great dramatic work is fueled by exceptional comedic work, as we have rarely seen in Olsen. He has no right to be so convincing when he dons the stolen shoes from the wardrobes of classic sitcom luminaries, channeling his best Lucille Ball and Mary Tyler Moore and, heck, Jane Kaczmarek.
To that end, Olsen definitely belongs in the Emmys conversation, not just to make up for lost time regarding his work on “Sorry For Your Loss,” but to honor his work on “WandaVision,” which showcases his tremendous dramatic talent. and even more. impressive, he presents it as an authentic comic delight.