& # 39; Outlander & # 39; Season 3, Episode 12: A Touch Strange – tech2.org

& # 39; Outlander & # 39; Season 3, Episode 12: A Touch Strange



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Caitriona Balfe, third from right, and Sam Heughan, second from right, in "Outlander".

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Nick Briggs / Starz

Season 3, Episode 12: & # 39; The Bakra & # 39;

In case of doubt, organize a party.

Last season, Claire and Jamie were routinely exhibited, negotiating public spaces to carry out their intrigues in court and each party was a spy movie. But this third season has been so different – with its internal struggles, claustrophobic crises and family tumult – that the party at the governor's palace in this week's episode is surprising. And this festival is a play in which old and new characters cross again, establish new dynamics and push us towards the end of the season.

For Claire and Jamie, it's like in the old days. Considering the last year they were together before their long separation, the "old days" feel bittersweet, and this episode gets a great benefit from that energy. From their deeply familiar gala finery to their long gazes of understanding, they are working as a team here, and it shows.

But this is a work that has been in preparation for 20 or 200 years, and that also shows it. . Many characters have to cross paths for the engine of the plot to run. The most obvious example is Geillis, going through the party with Disney villain aplomb and feigning with all his might to be shocked, shocked that young Ian has disappeared. The best example of the past that comes back to haunt them is John Gray, whose meeting with Jamie lives in the valley between friendship fondly remembered in a moment of trauma and two decades of barely suppressed longing. Neither of the two intends to exclude Claire, and she takes up the subtext in a hurry anyway, but it is a moment in which she does not belong. (Any beat in which Claire and Jamie feel that the weight of their lost time tends to be good). And, of course, there is Captain Leonard, chasing the lovebirds who flee to fulfill their duty and arrest Jamie for murder and treason. [19659009] The party does a surprising amount of work in history. But this is clearly an episode that has to travel a lot, and the two main events outside the party pull the tone. It is difficult to balance the visceral horror of the slave trade with the aggressiveness of the scenes with Geillis, whom the men who surround her call her Bakra.

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Although clearly described as abominable, the program prevents Claire and Jamie from becoming too directly involved with colonialism for the time being. Daredevil has a key moment to doubt the promises of the two whites who have bought him, and by the end of the episode, he can choose how he lives as a free man. The rest is there as a horrible wallpaper to annoy Claire, which is not ideal in terms of narrative weight, but with the energies of the program being so clear elsewhere, it could be just as good.

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