15 best songs by Mac Davis, for himself and other artists: Staff pics


The late Mac Davis, who died on Tuesday (September 29) at the age of 78, was 70 and one of the country’s most popular hitmakers, scoring 15 Billboard Hot 100 entries between 1970 and 1981 – of course. 1972’s “Baby, Don’t Get Hooked On Me”, his only single to top the charts.

But Hits ‘performance as a recording artist only dwarfs the surface of Davis’ multi-stage contributions to ’70s and’ 80s pop culture. Not only was he a TV variety host and an accomplished film actor outside of music, but he began his musical career as an in-demand songwriter for other star performers – including The King himself, who starred in many Davis Released the signature recording of ‘most famous song. And while not long after he became a star as a star, Davis’ pen game was largely true, until the 2010s, when he was co-writing with rock, pop and EDM stars.

Presented chronologically, and includes both his recordings and his writing credits for other artists, are here BillboardMack picks up for Davis’ 15 best songs, with a playlist of them all below.

Elvis Presley, “A Little Less Conversation” (1968)

Unlike what was recorded before Elvis’ “A Little Come Conversation”, a piece of southern-fried funk, married to a slittering drum and bass groove with jagged guitar and some of the King’s Fritiest songs, Courtesy of Mac Davis and co-writer Billy Strange. It may be a bit intimidating at times, because the chorus has spoiled the demand for “hold your mouth and open your heart and baby, satisfy me” – but the rest of the song is still so electric that it’s a The hit became a second time around 2002, when a very similar junk XL remix returned it to the Hot 100.

Elvis Presley, “Memories” (1968)

Written exclusively with Strange for Presley’s ’68 Comeback Special ‘, it became the first big hit as a melodious, romantic ballad Davis songwriter of the nostalgic, reaching the Top 40 of the Hot 100. “He asked for a song about looking back.” Over the years, and strangely, I had to write it in one night, ”Davis told Billboard In 2015.

Elvis Presley, “In the Ghetto” (1969)

This odd social commentary still stands for his bold stance on racial inequality and inner-city poverty after more than 50 years, and is most associated with the Presley song Davis reached number 3 on the Hot 100 in 1969 Gone. Davis wrote the song based on memories of her Texas childhood, and realizing the various treatments her Black friend received based on the part of the city she lived in.

Kenny Rogers and the First Edition, “Something Burning” (1970)

The smell of love is in the air, and its flames are getting louder and brighter for Rogers and his erstwhile backing band in the 1970s. The music, as an explosive chorus from the song’s gentle verses rekindle with vigor and enthusiasm and for its young lovers.

Bobby Goldsboro, “Watching Scooty Grow” (1970)

He is a great boy.“Davis’ touching on his five-year-old son and lovingly elaborated on him was considered a poor fit for his own catalog by producer Jerry Fuller, who suggested that Bobby Goldsboro’s more adult-contemporary hands The song might work better. ” It happened that Goldsboro was in town the following week, so Davis submitted the song, but still felt it personally to reject some proposed changes. “[Goldsboro] Called and said, “Am I watching this” Danny Growing? ” We [recorded] This, but my son’s name is Danny, “Davis told Tennesseean in 2014. “I Said ‘Nope.'” The original title remains intact, the song peaked at number 11 on the Hot 100 in February 1971.

Mac Davis, “I Believe in Music” (1971)

With the simplest of statements – believing in the power of music to bring peace and happiness – Davis made one of his earliest hits in 1970, with a tune that became a staple for school choral groups across the country. After Lulu and Maurice Gibb in London, Davis wrote the song and asked him if he believed in magic. He answered “I believe in music,” and wrote the song that night. “I still have the original paper from the hotel. I get it. I used that line there: ‘Make your voice sky high, God loves you when you sing.” This influenced the entire song. This is music Billboard.

Mac Davis, “Baby Don’t Get Hooked On Me” (1972)

“Baby,” a catchy song before a woman takes away her affection before she’s too attached, likely won’t fly with songs like this in 2020 because “don’t start clinging to me girl because I don’t breathe” Could ‘and’ I ‘I’ll just use you then I’ll set you free, “but it hit all the right notes in 1972 as Davis took the song straight to number 100. Davis often told the story that the songs The idea for came after producer Rick Hall, Davis was unhappy with the material he provided in the studio, asking him to write a song with “Hook”.

Mac Davis, “Kiss It and Make It Better” (1973)

Although Mac Davis was primarily a pop and country artist as a recording artist, he also had little soul. You can hear the most prominent seductive on this 1973 “Kiss It and Make It Better,” where Mack’s proposals for nominal action provide a plush bed of gently lapping drums, pulsing bass and yowling guitars. You think of the symbolic, wait until you get to the spoken-word breakdown, where Mac goes full Barry White as he moans, “/ I can taste it … can taste Are Me Away Kissing Your Tears Kiss Your Beautiful … “A little too real for the ’73 audience, perhaps, as the song completely missed the Hot 100, but an impressive display of the same kind of finesse and finesse in all.

Mac Davis, “Lucas Was a Redneck” (1973)

Biting a bit for single release, one of Mac Davis’ most memorable 70s songs came with it Stop and smell the roses Deep Cut is a bogeyman of the “Born-to-a-Bomb” title character. There may be some triumph over Davis’s use of the hard n-word when he is quoting Lucas, but the song is undeniably powerful, both for its vicious portrayal and for dismissing Southern white ignorance, and its The thick, harmonica-led larch, which is the land Dr. “Lucas” practically in the John area.

Mac Davis, “Stop and Smell the Roses” (1974)

Davis topped the top 10 of the Hot 10 after topping the charts with “Baby Don’t Get Hooked On Me”. It was with this gentle pee to take time to appreciate the finer things in life. Not necessarily one of Davis’s richest songs or multi-layered renditions, but its ragi singing-and-clap along with the chorus are quite difficult to resist, and the music passages in a slide guitar that slides softly in the background A much appreciated degree of sway is included.

Mac Davis, “It’s Hard to Be Humble” (1980)

In this tongue-in-cheek fame, Davis jokingly said how hard it is to stay on earth when you are “perfect in every way” and “look better every day”. However, the kicker comes in the verses – where self-delusion-as-self-preservation comes into play. The protagonist tries to convince himself that his girlfriend left him because he was jealous of “love-hungry women” and threw himself at her and not because he has no friends. Is because no one can stand to be around his egoistic self, but therefore he can stand outside in the crowd.

Dolly Parton, “White Limousen” (1990)

Written with longtime friend Parton, “White Limousen” served as the title track of Parton’s 1989 album and explored his rugs-to-riches story. In this case, substitute Nashville with Los Angeles, and the story draws closer to Parton’s experience, leaving his small town to chase big dreams, while never leaving his soul. The song is still popular today, only providing the name and inspiration for an old restaurant / lounge at the new Graduate Hotel in Nashville.

Weiser, “Time Flies” (2010)

Certainly not the most obvious pick of allies for most rock-wears Weiser, who teamed up with Davis for this petting. Hurley Album. But take away the emo-leaning strip of purposeful lo-fi production and frontman Rimes Cuomo’s lead vocals, and you’ve got a big huge chorus and a worthy songwriter for Davis’ 70s hit songs, which are without effort. Feels frustrated: “Life is moving fast and I’m running out of gas / I don’t have time on my side / I’m still in the running and I’m barely keeping pace / But it’s worth the ride.” is.”

Bruno Mars, “Young Girls” (2013)

Pop superstar Bruno Mars co-writer / co-producer Jeff Bhaskar met Davis through Bhaskar’s manager and invited him to drop by the studio, as they were writing the song for the Mars sophomore set. unorthodox Jukebox. Battling to hook, he asked Davis for help and he said, “With all you young wild girls, you mess with me / You young wild girls, you’ll be my death,” making the song arguably on the spot. Memorable lines.

Avicii, “Addicted to You” (2013)

A more logical team-up than initially appeared, especially Avicii during her stomp-folk stage hit. The 70s were the golden age for country-based disco jams – Davis watered on the occasion, though by the time he jumps with both feet, it was too late – and it’s easy to imagine that Banjo Introducing Bangers to the public. Like Avicii he was born a generation later. But even when he was born, he managed to co-write this short-but-growing truth Exposed in their 70s, an incredible display of endurance from an industry veteran who never locked his ears or his heart in the big pop world.

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